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Sundance's Black Stories Are More Accessible Than Ever

Each year, filmmakers, cinephiles, and the creme-de-la-creme of the entertainment industry make their way to Park City, Utah for the Sundance Film Festival to be the first to watch some of the most buzzed-about films of the year. 

People like Ava DuVernay, Ryan Coogler, and Radha Blank have had career-defining moments at Sundance. This year, just like every other major cultural event, the largest independent film festival in the United States will look very different. Instead of gathering in theaters, coffee shops, and parties, Sundance attendees will be convening around their screens from the comfort and safety of their homes.

Continue reading at ESSENCE.

tags: Sundance Film Festival, Sundance 2021, ESSENCE
categories: Film/TV, Culture
Friday 01.29.21
Posted by Aramide Tinubu
 

As She Prepares To Tell All In Her Biopic And Documentary, Wendy Williams Doesn't Need Your Pity

For more than three decades, Wendy Williams has taken the world by storm with her bold personality and shocking commentary on celebrities and popular culture. From the radio to a syndicated talk show, the media personality has established a mega-brand as well as some major adversaries. Despite her past candor about her addiction, relationships, and self-image issues, in the past several years, whispers about Williams’ personal life and her long-term marriage to her now ex-husband, Kevin Hunter, have been front-page news.

Continue reading at ESSENCE.

tags: Wendy Williams, Wendy Williams: The Movie, Wendy Williams: What A Mess!, Lifetime, Chocolategirlinterviews
categories: Film/TV
Tuesday 01.26.21
Posted by Aramide Tinubu
 

Actresses GG Townson And Laila Odom On What It Took To Become Salt-N-Pepa

The roots of women in Hip-Hop stretch back to the origins of the genre. As we praise artists like Megan Thee Stallion, Cardi B, and Nicki Minaj, it’s increasingly important to pay homage to the trailblazers that came before them. Salt-N-Pepa, one of the top-selling music groups of all time and the first female rap group to go Platinum, helped define a generation.

Continue reading at ESSENCE.

tags: GG Townson, Laila Odom, Salt-N-Pepa
categories: Film/TV
Friday 01.22.21
Posted by Aramide Tinubu
 

There's No Connection In 'The Sounding'

Speech is just one form of communication; there is also writing, language, signing, touch, and various other ways humans connect. Therefore when you are blocked from these kinds of connections, it can be both frustrating and isolating. In her film, The Sounding, director, writer, and actress Catherine Eaton portray Liv, a woman who lives off Maine's coast on a remote island.

Under her grandfather Lionel (Harris Yulin), Liv has remained in her little bubble — literally. Though she developed normally as a young girl, Liv suddenly stopped speaking and still has not resumed decades later. Though Lionel, a scientist, was desperate to find a cause or cure for Liv's self-imposed silence, he's resigned himself to just making her happy. However, amid a health crisis, he's determined to find a path forward for Liv when he's gone. 

Summoned to the island by Lionel, Michael (Teddy Sears) finds himself mesmerized by Liv and her condition. He is wholly determined to find the root of her silence, despite Lionel's pleading to protect her. Things escalate further when Liv begins to speak through Shakespeare's prose to express herself, forcing Micheal to choose between Lionel's wishes and his desire to "help" as a doctor. 

Any fan of Shakespeare will undoubtedly be moved by Eaton's vast knowledge of the iconic playwright's words. Also, the chemistry between herself and her co-star, Sears, is palpable. However, that's where the interest and intrigue in The Sounding ends. Even enthusiasts of Shakespeare will probably be exasperated as Liv launches the thick prose at Michael and later when she rebels in a psychiatric hospital. 

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Her outbursts and acts of violence seem to come out of nowhere since the audience is offered no insight into this side of her personality prior. The outbursts are neither consistent nor revelatory, adding no information or details to the character or the film overall. 

Moreover, there is never any real explanation regarding Liv's condition, leaving the audience increasingly frustrated with the narrative's direction and even less intrigued than when the film opened. Instead of a full-fledged script, The Sounding appears to sit on an idea of lovely acting and striking scenery. 

This is not to say all is lost; rounding out the cast with Eaton, Yulin, and Sears is a veteran actor, Frankie Faison as Roland, Lionel's friend and lawyer. The ensemble alone shows poetic handling of the often dense dialogue and lush silences. Moreover, The Sounding is a stunning film. Along with her cinematographer, David Kruta, Eaton creates a majestic sequence of images rivaling any big-budget project. 

Yet, despite having all of the right pieces, The Sounding doesn't quite come together in the end. Instead, we are left in the same place we began. 

The Sounding is now available on VOD.

tags: The Sounding, chocoaltegirlreviews
categories: Film/TV
Thursday 01.14.21
Posted by Aramide Tinubu
 

'The Ringmaster' Is A Fascinating Circus

Filmmaking has specific rules. There are codes that directors live by to bring a narrative to their audience. This is not to say filmmakers can't alter particular rules. We've seen characters break the fourth wall, and the composition of some films have also shifted in a way that the audience may not have expected. However, for documentary films, in particular, filmmakers must remain neutral, never interjecting themselves into the material. In co-directors Dave Newberg and Molly Dworsky’s documentary, The Ringmaster, filmmaker turned subject Zachary Capp plants himself centerstage in someone else's story. What unfurls is a confounding yet intriguing narrative.

The Ringmaster was meant to center Larry Lang, an unassuming aging chef known as the Midwest's onion ring master. The film opens in a frenzy of confusion and frustration. We soon learn that Capp has been crafting Larry's story for over three years, much to the disappointment of his co-producers and crew. It's also been to the determinant of his bank account. 

Drawn to Larry because of the memories of his childhood and Lang's family history in the restaurant world, Newberg seeks to unpack the story of Micheal's Steakhouse, a beloved restaurant in his mother's hometown of Worthington, Minnesota, owned by Larry's father, Micheal. At first, the Langs story appears to be the American dream. However, a series of tragedies, including arson, illness, and death, proves that it hasn't been. 

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While Larry set out to reopen his father's dream, he soon finds himself settling into other restaurants where he continued to make his beloved onion rings. Whether you're a foodie or not, onions rings can't carry a film, and the audience is quickly made aware that Larry, in particular, is not a good film subject. Quiet and unassuming, it's more than obvious that he wants to be left alone to fry his onion rings, content to lives his days out in the kitchen and spend time at home with his older sister, Linda.  

A film novice with an addictive personality, Capp is both unwilling and unable to accept Larry for who he is. Therefore, what happens next is a wild goose chase to deliver the "perfect" documentary. The movie begins barreling down a path of confounding edits, poor judgment, and a clear infatuation with notoriety.

Though there is a warm layer of human interest that runs throughout the film, much of The Ringmaster is an engaging train wreck. In what becomes a three-plus-year saga, we watch Larry and then Capp's producing partners become increasingly determined to distance themselves with his manic compulsion to find the perfect ending as the director throws more and money into an already sinking shift. 

Well-meaning, watching Capp inject himself into the film and Larry's life was cringing worthy. As the film's subject morphs, it shapes out to be the story of a rich kid, ambling along to find his life's purpose without having a true game plan or direction. It's incredibly uncomfortable as Capp pushes a clearly uncomfortable Larry toward opportunities he never asked for. 

Since there is so much awry with The Ringmaster from the documentary and the subject's relationship to audio and editing, it should have gone up in flames. However, by handing the film over to Newberg and Molly Dworsky and taking a step back and finding the film within the film, the audience is left with an eye-opening saga about obsession, access, and the craft of storytelling. 

The Ringmaster is currently on Amazon Prime.

tags: onion rings, chocolategirlreviews, The Ringmaster
categories: Film/TV
Wednesday 01.13.21
Posted by Aramide Tinubu
 

'Ice Cream in the Cupboard' Is A Devastatingly Authentic View of Alzheimer's

Many films chronicle the devastation that comes with dealing with memory loss and diseases like Alzheimer's and dementia. From The Notebook to The Vow, films like these have given people an inside glimpse of what it might mean to deal with these types of diagnoses. These movies have been careful to showcase the perspective of the person who has the disease and their loved ones' point of view. However, no matter how well done these films might be, they are often glossy and a bit romanticized. Based on Pat Moffett's acclaimed book, Ice Cream in the Cupboard director Drew Pollins wanted to offer a different perspective on what it means to deal with these diseases. It is a point of view that is a bit harsher and more volatile than what's usually depicted in films. 

Based on Moffett's real-life, Ice Cream in the Cupboard is told in several chapters, one that begins some 27 years ago when Pat (Dana Ashbrook) and Carmen (Claudia Ferri) first cross paths. Their unexpected encounter is one of those moments that jilt your life forever, shifting your world on its axis. Pressing forward nearly three-decades in the future, we reencounter Carmen and Pat, this time in their 50s, happily married with college-aged children. 

Time has been good to them, but things haven't been perfect. Pat's past infidelity comes spiraling up to the surface on one unassuming day, causing Carmen to fly into a fit of rage and violently pushing her husband into the pool while threatening to stab him with a knife. 

Floored by his wife's outburst, Pat retreats to a hotel, but things continue to remain off-center for Carmen. Her memory is continually shotty, she quickly loses track of time, and her life timeline is entirely off-kilter. Finally, recognizing that something is wrong, Pat and Carmen head to a doctor, where the long-time budget administrator is diagnosed with early-onset Alzheimers. 

What happens next isn't pretty or fuzzy, but it's perhaps one of the most authentic portrayals of the disease that's been seen in Hollywood thus far. Highlighting Carmen's lack of impulse control and temper as the illness continues to wear down on her, Pat and his children are increasingly broken but determined to step up. 

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Sadly, due to Carmen's young age, her diagnosis and the disease's progression is accelerated, pushing Pat to grasp on to their past memories while preparing himself to let go of the woman who has been by his side for nearly 30 years. 

Perfectly paced and gripping, Ashbrook and Feri do a wonderful job as a couple trying to hold tight to the short time they have left. Though there are some lighthearted moments in the film off laughter and play, Pollins makes to keep his sense focus on the subject at hand — how much and how quickly Alzheimer's steals from the people it affects. 

The gripping film is undoubtedly a challenge to watch at times. However, its authenticity as it reflects on what can be a very emotionally and physically violent disease is unmatched. Moreover, there are no warm and fussy moments in the end, only what was in the past and what's to come in the future. 

Ice Cream in the Cupboard is now being distributed by Gravitas Ventures.

tags: Ice Cream in the Cupboard, Pat Moffett, Drew Pollins, Dana Ashbrook, Claudia Ferri
categories: Film/TV
Monday 01.04.21
Posted by Aramide Tinubu
 

In Netflix's 'Bridgerton,' Shonda Rhimes reinvents how to present race in a period piece

Television and cinema have had a long love affair with Great Britain during the lush Regency era. From classic novels reimagined on screen, like "Pride and Prejudice" and "Emma," to historical dramas about their authors, like "Becoming Jane" and "Bright Star," there has always been something intriguing for moviegoers about this period. But in Netflix's new series "Bridgerton," premiering on Christmas Day, producer and media mogul Shonda Rhimes, along with "Scandal" and "Grey's Anatomy" producer Chris Van Dusen, have completely reimagined how to present that time and place on film.

Continue reading at NBC Think.

tags: Netflix, Shonda Rhimes, Bridgerton, Chris Van Dusen, NBC THINK
categories: Film/TV
Thursday 12.24.20
Posted by Aramide Tinubu
 

'Soul' Review: Pixar's First Film With A Black Lead Is A Dazzling Journey About Dreams And Commitment

In 2020, many people no longer adhere to archaic understandings of life paths and the impact that one individual can make on the world. Though life certainly isn't without its challenges, many of us are beginning to understand that you can have many passions, journeys, and dreams throughout your lifetime. If you are lucky and brave enough to embark on one or more of them, then you've really lived. In Disney/Pixar's latest film, Soul co-directors Pete Doctors and Kemp Powers remind the wisest and youngest among us that life isn't about the destination; it's about the journey.

Continue reading at Shadow and Act.

tags: Disney, Pixar, Soul, Disney +, Jamie Foxx
categories: Film/TV
Tuesday 12.22.20
Posted by Aramide Tinubu
 

Angela Bassett, Loretta Devine and Lela Rochon on ‘that scene” from ‘Waiting To Exhale’

In the 25 years since Waiting to Exhale’s debut, the ground has shifted for Black female representation. The film, which was written by Terry McMillan and brought to life by Forest Whitaker, was the catalyst for that change.

Savannah (Whitney Houston), Robin (Lela Rochon), Bernadine (Angela Bassett), and Gloria (Loretta Devine) entranced audiences as they navigated life, love, and the bonds of sisterhood. It was a welcome and refreshing anomaly amid a slew of films that focused on narratives from the inner city — mostly centering Black men. The film changed the industry and catapulted the stars of nearly everyone who touched it. Now, on this pivotal anniversary, the key female players — plus the guys who portrayed their boyfriends, husbands and sons — talk to ZORA about making one of the most iconic films in history.

Continue reading at ZORA.

tags: ZORA, Waiting to Exhale, angela bassett, Lela Rochon, Loretta Devine
categories: Film/TV, Culture
Tuesday 12.15.20
Posted by Aramide Tinubu
 

Disney+ is spending billions on sequels, reboots and remakes. But where are the new ideas?

For years, Hollywood has leaned into reboots and remakes, trying to put a newer spin on classics like "Sabrina the Teenage Witch" or "The Italian Job" — and some have even been wildly successful, like Al Pacino's turn in "Scarface" (a remake of the 1932 movie) and the Bradley Cooper-directed "A Star Is Born." Still, others almost certainly could've been left in the past, since the original versions were and are easily accessible for current and future generations to enjoy at their leisure.

Yet, reboots and remakes aren't going away anytime soon. And in these unprecedented times, when regularly going out to the movies may very well become a relic of the past, Disney has decided to double down on its reboot efforts in a significant way. Deadline reported the company will be spending $14 billion to $16 billion for new content — but few new ideas — on its Disney +, Hulu and ESPN+ streaming services by 2024.

Continue reading at NBC Think.

tags: Disney +, Disney, reboots, remakes, sequels
categories: Film/TV
Saturday 12.12.20
Posted by Aramide Tinubu
 

'Alex Wheatle' is the latest revelation from Steve McQueen’s 'Small Axe'

In most biopics, filmmakers offer their audience a sweeping bird’s-eye view of the life of a historical figure. These films chronicle the person’s childhood and any trials or tribulations they may have faced before ending in a typical flourish of the subject’s successes and triumphs. In Alex Wheatle, the fourth film in the Small Axe anthology, which follows London’s West Indian community from the 1960s into the 1980s, Steve McQueen offers something different. The British-born filmmaker presents a snapshot of the life of a young man who was never meant to rise above his circumstances.

Continue reading at The A.V. Club.

tags: Alex Wheatle, Small Axe, Steve McQueen, chocolategirlreviews
categories: Culture, Film/TV
Tuesday 12.08.20
Posted by Aramide Tinubu
 

Merle Dandridge On 'The Flight Attendant' And That Mysterious 'Greenleaf' Spinoff

In their new comedy-drama thriller, HBO Max has reimagined Chris Bohjalian's The Flight Attendant for the small-screen. The compelling miniseries follows Cassie Bowmen (Kaley Cuoco), a first-class flight attendant who wakes up hungover in a swanky Bangkok hotel room with a dead man next to her. As Cassie tries to piece together the previous evening, she attempts to go on about her life as if nothing happened. As her co-workers and good friends, Shane (Griffin Matthews) and Megan (Rosie Perez) become increasingly suspicious; the FBI begins putting their case together. 

Tasked to solve this murder mystery, Greenleaf alum Merle Dandridge stars as FBI agent Kim Hammond, a whip-smart woman who suffers no fools and has even less patience for Cassie's convoluted story. Ahead of The Flight Attendant's debut on HBO MAX, Shadow and Act chatted with Dandridge about the series' twists and turns, and why portraying Kim has been a breath of fresh air. 

Continue reading at Shadow and Act.

tags: Merle Dandridge, The Flight Attendant, Greenleaf, shadow and act, chocolategirlinterview
categories: Film/TV
Wednesday 12.02.20
Posted by Aramide Tinubu
 

'Mr. Marvelous' Is an Intriguing Short About Power and the Past

Like public servants and other figures in society, we often see mall Santas as larger than life figures. In some ways, we strip them of their humanity and see them as accessories present only to bring joy (and sometimes terror) to children worldwide. 

In his short film Mr. Marvelous, filmmaker Evan Falbaum reminds us that everyone has their secrets under the costumes and masks we wear. Mike Marvelous (Mitch Landry) is glad the holiday season has come to an end. Stripping off his Mall Santa costume and taking home his final pay, he’s content to be isolated in his neat bungle, with a beer and a modest Christmas tree, hoping that his daughter invites him over for Christmas Day. 

As Mike moves through his evening, showering and awaiting a call back from his daughter, some introducers come storming into his house, looking for money. However, as the thieves attempt to humiliate Mike, they discover much more than they bargained for. 

Beautifully filmed, Mr. Marvelous is an intriguing film about how to reconcile your past with your present. It’s a movie about loss, second chances, and the will to get back in touch with your inner power — a strength that goes well beyond any costume that you might slip into.

Mr. Marvelous was an official selection at the Omahu, Kansas City, and San Antonio Short Film Festivals is has been released on Vimeo.

tags: Mr. Marvelous, Short Film, Evan Falbaum
categories: Film/TV
Tuesday 12.01.20
Posted by Aramide Tinubu
 

'Effigy, Poison, and the City' Is a Thrilling Film About Two Women Determined to Break Free of the Shackles Of Their Time

Period pieces are meant to be snapshots of a past time, moments that may have previously been captured by photographs or words that have survived the ages. However, since cinema is a relatively new medium, we must rely on historians and our own understanding of yesteryear to bring these stories to life. Like anything else, some of these stories are more compelling than others, but when done well, they will leave you riveted and wondering. Set in 1828 and based on a true story, filmmaker Udo Flohr's Effigy, Poison, and the City is a gripping film about two very different women caught in the entrapments of a society that has tried to place them both in a box. 

An aspiring lawyer, Cato Bohmer (Elisa Thiemann), settles in the German port city of Bremen as a law assistant to Senator Droste (Christoph Gottschalch). Reluctant to open his criminal court office to a woman, the Senator entrusts Cato with menial work that she is more than overqualified for. Just as she finds her footing in the town and at her new position, whispers about widow Gesche Gottfried (Suzan Anbeh) begin to swirl about. 

Well-loved by the less fortunate and the men of the city, Gesche is called The Angel of Berman for her demure demeanor and because of her constant charity work. However, when she comes swooping through Senator Droste's office with accusations that she's been poisoned, Cato is quickly flagged that everything isn't exactly as it seems. 

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As Cato begins to examine Gesche's accusations while retracing her steps, she quickly finds a slew of dead bodies in her wake, including Gesche's late husband, three children, and a handful of would-be suitors, among others. However, with the Senator's mind on the railroad he desperately wants to build in the town and the sexism that clouds his judgment, he and the men in town cannot even begin to wrap their minds around the atrocities that have so obviously occurred at the hands of Gesche. 

A masterclass in manipulation, Effigy is tightly paced with the tension between Cato and Gesche — who seems to recognize that the law assistant is on to her -- is masterful. There have been numerous accounts of women from the 19th century and before who have shocked the world by being at the helm of horrific crimes. However, because women were shoved in tight boxes and forced to live lives they may have had little interest in, they weren't often suspected, at least not right away. It's obvious from the beginning that Gesche's is drawn to Cato, a university-educated woman who has never had to deal with the unwanted burden of marriage or motherhood. Gesche had no choice in the matter, but she also found a way out, however heinous it might be. What she does not expect is her inability to manipulate Cato. 

Cato is equally fascinated by the criminally minded woman. Though she's disgusted by her behavior, she quickly discerns that The Angel of Berman is actually the Angel of Death. She even seems to understand Gesche's motives. It's the woman in the 42,000 citizen town that first sees Gesche for precisely who she is under the layers of beauty and flirtation. 

Beautifully designed and wonderfully acted, Effigy is a gorgeously crafted film about two women who refused to be victims of their time. Instead, however, boldly or heinously, they used the tools at their disposal, books and moose butter alike, to carve out lives that allow them to be set free. 

 Effigy, Poison, and the City will debut on VOD in 2021.

tags: Effigy Poison and the City, Udo Flohr, Chocolategirlreviews
categories: Film/TV
Friday 11.27.20
Posted by Aramide Tinubu
 

'Ma Rainey's Black Bottom' showcases the triumphs of Black people, not just our burdens

In recent historical features about the Black experience in America — like "12 Years A Slave," "Hidden Figures" and even biopics like "Ray" and "Ali" — racism and oppression are through-lines in the narratives; anti-Blackness becomes a character all its own.

The perils of white supremacy make their way into every plot even though the Black experience is at the core of these films, seeping (as it can in reality) into the characters' everyday lives. While these films are historically accurate, modern-day Black filmgoers then often lament the prevalence of "slave films" and the inherent tragedies at the center of these stories, asking to see more Black joy and less Black sadness.

Continue reading at NBC Think.

tags: NBC Think, Ma Rainey Black Bottom, Viola Davis, Chadwick Boseman
categories: Film/TV
Wednesday 11.25.20
Posted by Aramide Tinubu
 

Between The World And Me creates a tapestry of history and art from Ta-Nehisi Coates’ words

With his critically acclaimed nonfiction work, Between The World And Me, Ta-Nehisi Coates laid himself bare. Writing the book as a letter to his then 15-year-old son, Coates unearthed memories from his boyhood in West Baltimore, then moved to his son’s birth and into the present day. Between The World And Me was published in 2015, just before Trump gave new life to the United States’ rotten core. In the years since, social media and the ubiquity of cameraphones has amplified Black death in the media. Police brutality, unyielding anti-Blackness, and an exhausting presidential election cycle have dominated our day-to-day lives. With history at his back and the events of his own Black life embedded in his memory, the journalist could not have predicted our current state when he first published his manuscript. Still, the author ended up pretty spot-on. Coates was brutally realistic about Black life, even then. In HBO’s film adaptation of the New York Times best-seller, his words echo across the screen, burrowing into our past and leaving hints about the future of Black America and this country.

Continue reading at The A.V. Club.

tags: Between the World and Me, Ta-Nehisi Coates, HBI, Kamilah Forbes, ahershala Ali, Angela Bassett, Angela Davis, Alicia Garza, Tip “T.I.” Harris, Jharrel Jerome, Janet Mock, Joe Morton, Wendell Pierce, Phylicia Rashad, MJ Rodriguez, Kendrick Sampson, Yara Shahidi, Courtney B. Vance, Olivia Washington, Pauletta Washington, Susan Kelechi Watson, Oprah Winfrey, The A.V. Club, chocoaltegirlreviews
categories: Film/TV, Culture
Wednesday 11.18.20
Posted by Aramide Tinubu
 

Netflix's 'Jingle Jangle' adds Black girl magic to the Christmas family film pantheon

Family Christmas films have been staples in popular culture, full of whimsy, holiday cheer and hijinks, from 1946's "It's a Wonderful Life" to 1947's "Miracle on 34th Street," the cartoon heydays of the 1960s and '70s ("How the Grinch Stole Christmas," "A Charlie Brown Christmas" and "A Year Without a Santa Claus," among others) and well into the 1990s and the 2000s with "Home Alone," "The Santa Clause" and even "Elf." But while many people across all backgrounds have been delighted by these films, David E. Talbert's "Jingle Jangle," now out on Netflix, delivers a magical winter wonderland with something different: Black faces at the center. That alone is something worth celebrating.

Continue reading at NBC Think.

tags: Jingle Jangle, Netflix, Phylicia Rashad, Forest Whittaker, Keegan-Michael Key, Anika Noni Rose, Madalen Mills
categories: Film/TV
Wednesday 11.18.20
Posted by Aramide Tinubu
 

'Spark: A Burning Man Story' Is A Fiery Display Of Community

For many of us over the last 30 years, Burning Man has been somewhat of a legend. The cultural event has expanded exponentially since it was founded in 1986. It now stretches out into a multi-day adventure that draws in upward of 60,000 participants. While society has focused its attention on mainstream events like Coachella, Burning Man remained mostly mythic until the sheer size of the event began to demand a different type of infrastructure and, in turn, a lot more visibility. In their 2013 documentary, Spark: A Burning Man Story, Steve Brown and Jessie Deeter peel back the layers of Burning Man, turning his lens on the founders, the machine behind the event, and the community that keeps it alive. 

To understand what Burning Man has become, Brown and Deeter take a careful look back at its history. We hear from the founding members, Crimson Rose, Harley K. Dubois, the late Larry Harvey, Marian Goodell, Michael Mikel, Will Roger, and John Law, who left Burning Man as it began to expand and the need for more structure became apparent. For the founders who joined the group at various points, Burning Man is much more than an event. Throughout the film, we learn why they find themselves in the 100 plus degree heat in Nevada's Black Rock desert, transforming it into Black Rock City each year. 

Spark is set in the months leading up to the 2012 event. At the time, Burning Man was curated by Black Rock City, LLC, a for-profit business put into place at the turn of the 21st century to circumvent the size and liabilities that come with producing such an event. Built on 10 principles, including gifting, decommodification, radical self-reliance, radical self-expression, communal effort, and civic responsibility, leaving no trace, participation, and immediacy, Burning Man had become more cumbersome then any of the owners or the attendees could have dreamed of. 

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Though there are no voyeurs allowed at Burning Man, the nature of the film and Brown and Deeter’s lens allows an audience that would have never seen the event's inter-workings a bird's-eye view. From the whimsical costuming, the stunning structures, and even the organized chaos leading into the opening day, it's clear almost immediately that without the organization backing it, Burning Man would become dangerous and implausible. 

Spark works well because it doesn't merely chronicle Burning Man's origins; it also pulls back the curtain on the event, including its missteps and mishaps. The 2012 event moved to a lottery ticket system that inadvertently locked out some of the long-time supporters of Burning Man — a scandal that eventually made its way into the New York Times. Furthermore, it juxtaposes the paths of those genuinely committed to Burning Man's original message, versus those who choose to attend for pure spectacle. As the community has expanded, many people have chosen to participate for an Instagram photo or a unique backdrop. 

While the founders certainly can't control everything, they have taken steps to reevaluate and reset as the event has gained traction. Since 2013, they've moved back to a non-profit format — Burning Man Project. Moreover, various smaller events across the United States and internationally guided by the Burning Man principles have allowed those who might not be able to get to the Nevada Desert a similar experience. 

In Spark, Brown and Deeter neither elevate nor ridicules Burning Man for its past or its present. Instead, he allows the event and the people at its core to present themselves to the audience. He enables us to see what Burning Man was meant to be as the founders have struggled to continue those same rituals and customs. More than anything, amid the coronavirus (COVID-19) pandemic as people have been forced to become more isolated and alone, it is a spectacular reminder of the communities that will be there to embrace us when this is all over. 

Spark: A Burning Man Story is available on VOD, Amazon Prime, iTunes and VUDU.

tags: Spark: A Burning Man Story, Burning Man, Steve Brown, Jessie Deeter, chocolategirlreviews
categories: Film/TV
Monday 11.16.20
Posted by Aramide Tinubu
 

'IRL' Gets to the Heart Of Modern-Day Dating

Dating has always been a challenge, but with the advent of technology, social media, and dating apps, hopeful singles have had to find new ways to connect and get to know one another. There are clear upsides to dating online. We can connect with thousands of people from across the globe, whom we wouldn't otherwise connect with. However, the purpose of online dating is to interact and connect with someone offline eventually. Without that physical connection, you can feel as though you're talking to a ghost. 

In his drama IRL, Ricardo Perez-Selsky follows Ian (Chase Hinton), a 30-year-old aspiring painter living in Los Angeles. Though he does graphic design on the side, Ian feels like he's running out of time, both in his professional and personal life. Desperate to find a connection, Ian spends his time crafting and redrafting his statement on a dating app and wining and dining the women who respond to his long eloquent messages. Despite his efforts, finding the "one" is proving to be much more challenging than Ian ever could have expected. When he seems to lose all hope, he matches Sofia (Johanna Sol), with whom he instantly connects.

Though her profile lists her location as LA, Sofia explains that she's 1,000 miles away caring for her. Though hesitant at first, she and Ian strike up and text and phone relationship. Though they seem desperately in sync, the longer the pair goes without actually meeting one another, Ian becomes increasingly frustrated and suspicious that Sofia isn't exactly who he thought she was. 

Though a bit slow-moving, Perez-Selsky's film accurately portrays the hope and disappointment that most online daters have experienced before. He captures that need to stand out and feel special while still staying true to yourself. Unfortunately, as things begin to evolve with Ian professionally, he and Sofia start to drift apart slowly. 

Even with technology, long-distance relationships can surely take a toll on anyone. When the increasing complications of life seep in, finally getting to the same place can feel hopeless and nearly impossible. 

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IRL is not a traditional love story; it's far too honest for that. Instead, it's a story about taking a chance and putting your heart on the line even when the odds seemed stacked against you. More than that, IRL is full of surprises; having seen many romantic dramas, audiences will undoubtedly expect the narrative to move in one particular direction. However, they will soon discover that Perez-Selsky and writer Chase Hinton Lead's message is far more creative than that.  

IRL has been released on Pay-per-view and streaming VOD platforms.

tags: IRL, Ricardo Perez-Selsky
categories: Film/TV
Thursday 10.29.20
Posted by Aramide Tinubu
 

‘The Boy Behind the Door’ Is a Terrifying and Realistic Journey

From the moment The Boy Behind the Door begins, with a bird’s eye view of a lone car gliding its way down a forested road somewhere in South Dakota, a sense of dread settles over the film. That sharp feeling only intensifies when the trunk of the car is opened, revealing two terrified young boys, Bobby (This Is Us‘ Lonnie Chavis) and Kevin (Ezra Dewey). Sweaty, breathless, and bound and gagged together, their kidnapper appears suddenly, ripping Kevin from the vehicle, leaving Bobby behind. 

Continue reading at Showbiz Cheatsheet.

tags: Lonnie Chavez, The Boy Behind the Door, AFI
categories: Film/TV
Sunday 10.18.20
Posted by Aramide Tinubu
 
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