Between The World And Me creates a tapestry of history and art from Ta-Nehisi Coates’ words

With his critically acclaimed nonfiction work, Between The World And Me, Ta-Nehisi Coates laid himself bare. Writing the book as a letter to his then 15-year-old son, Coates unearthed memories from his boyhood in West Baltimore, then moved to his son’s birth and into the present day. Between The World And Me was published in 2015, just before Trump gave new life to the United States’ rotten core. In the years since, social media and the ubiquity of cameraphones has amplified Black death in the media. Police brutality, unyielding anti-Blackness, and an exhausting presidential election cycle have dominated our day-to-day lives. With history at his back and the events of his own Black life embedded in his memory, the journalist could not have predicted our current state when he first published his manuscript. Still, the author ended up pretty spot-on. Coates was brutally realistic about Black life, even then. In HBO’s film adaptation of the New York Times best-seller, his words echo across the screen, burrowing into our past and leaving hints about the future of Black America and this country.

Continue reading at The A.V. Club.

Netflix's 'Jingle Jangle' adds Black girl magic to the Christmas family film pantheon

Family Christmas films have been staples in popular culture, full of whimsy, holiday cheer and hijinks, from 1946's "It's a Wonderful Life" to 1947's "Miracle on 34th Street," the cartoon heydays of the 1960s and '70s ("How the Grinch Stole Christmas," "A Charlie Brown Christmas" and "A Year Without a Santa Claus," among others) and well into the 1990s and the 2000s with "Home Alone," "The Santa Clause" and even "Elf." But while many people across all backgrounds have been delighted by these films, David E. Talbert's "Jingle Jangle," now out on Netflix, delivers a magical winter wonderland with something different: Black faces at the center. That alone is something worth celebrating.

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Phylicia Rashad, Dee Harris-Lawrence & The Cast Of ‘David Makes Man’ On Memory & Storytelling

When playwright and poet Tarell Alvin McCraney gave us Moonlight–he showed the magic and nuances of Black men–specifically those struggling with their sexuality, in a way that we’d never seen them before. With his stunning new arthouse coming-of-age series, David Makes Man–starring Phylicia Rashad and a slew of newcomers, McCraney delivers once again.

Based on the events of McCraney’s own life growing up in Miami, the OWN series follows 14-year-old David (newcomer Akili McDowell), a young Black man growing up in the Miami projects. Still haunted by the death of a close friend–David is also grappling with caring for his little brother (Cayden K. Williams) and his relationship with his mother, Gloria (Alana Arenas)–a hard-working woman who is recovering from drug addiction. Each day, David is bused miles away to his affluent magnet school where his teacher Dr. Woods-Trap (Phylicia Rashad) prompts him to expand his mind in new ways.

Breathtakingly stunning and compelling, David Makes Man presents a poetic picture of Black identity, masculinity and what it means to “make man.” Ahead of the series premiere–STYLECASTER sat down to chat with the showrunner, Dee Harris-Lawrence, the legendary Phylicia Rashad, Akili McDowell and Nathaniel Logan McIntyre who plays David’s best friend Seren.

“This project, from day one of meeting Tarell Alvin McCraney, became very much my story,” Harris-Lawrence revealed. “There have been coming of age stories but I don’t think there have been coming of age stories like this where you get into the mind of a young Black boy–and we have such a young Black cast. When I first met with Tarell after I read the script I said, ‘I’m pretty much the female version of David, in terms of growing up in the hood and having to be bused miles away to go to school.’ I used my imagination in a big way, and I was a huge dreamer. I had a teacher named Ms. Brown who got me writing stories. As I started writing more stories, my daydreams began to wane. That’s when I realized, ‘This is what I have to do.'”

Continue reading at STYLECASTER.

Image: OWN.