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Sundance's ‘Master’ Grapples With The Terror Of Othering

Belonging. We all have an emotional need to feel accepted and embraced by others. If we’re lucky, that sense of allyship begins in the comfort of our homes surrounded by loved ones. However, finding it outside of those spaces, particularly in predominantly white institutions (PWI), can be a daunting task often confounded with feelings of isolation and even terror. 

In her feature film debut Master, filmmaker Mariama Diallo grapples with the psychological effects of racial terror and the pitfalls of ignoring the lessons of history. Set at a New England-based Ivy League University, Master centers on Gail Bishop (Regina Hall). She is the sole tenured Black professor who has been newly elected as a “Master,” or a dean of students — the first Black person in the university’s history to hold such a role. 

Continue reading at ESSENCE.

tags: ESSENCE, Master, Amazon Video, Mariama Diallo, Sundance Film Festival
categories: Film/TV
Sunday 01.23.22
Posted by Aramide Tinubu
 

Nana Mensah On Her Directorial Debut 'Queen Of Glory,' Netflix's 'The Chair' & Doing It All

Nana Mensah wants to conquer every aspect of the entertainment industry, and she’s already on a roll. The Ghanaian-American writer, director, producer, and actress is known for her performances in plays like Nollywood Dreams and The Man From Nebraska. She has also been flexing her talents behind the scenes in the writer’s rooms for shows like HBO’s Random Acts of Flyness, Amazon’s The Power, and Netflix’s The Bonding. However, her directorial debut, Queen of Glory, and a new Netflix series, The Chair, where she stars opposite Sandra Oh, have pushed her center stage in ways that she never expected.

Continue reading at ESSENCE.

tags: ESSENCE, Nana Mensah, Queen of Glory, The Chair
categories: Film/TV, Culture
Friday 08.27.21
Posted by Aramide Tinubu
 

Melissa Haizlip Remembers A Defining Moment For Black Television And Her Family Legacy With 'Mr. Soul!'

Today, Black faces are seen across networks, cable shows, and streaming platforms. Yet, not long ago, Black folks used to run to the television set to spot a glowing brown face on the small screen. Long before sitcoms and dramas like Living Single and Scandal pulled in viewers from across the country, Ellis Haizlip’s public television series SOUL! premiered, giving Black viewers an unfiltered and authentic representation of Black culture on TV. 

Soul! debuted September 12, 1968, and was produced by Haizlip, an activist and creator, and PBS’s WNDT. He would eventually host the series, introducing acts like Al Green, Patti LaBelle, and the Bluebelles, and even providing the platform for that infamous conversation between James Baldwin and Nikki Giovanni. The series would run until 1973, showcasing various musical acts and giving a stage to activists like Kathleen Cleaver and Betty Shabazz.

Continue reading at Essence.

tags: ESSENCE, Melissa Haizlip, Ellis Haizlip
categories: Film/TV
Monday 02.22.21
Posted by Aramide Tinubu
 

Questlove's 'Summer of Soul (… Or When the Revolution Could Not Be Televised)' Unearths A Crowning Jewel In Black History

Amid our current civil rights movement and a tumultuous year that has brought forth a great deal of struggle and hardship, Ahmir “Questlove” Thompson has given us a gift. With his directorial debut Summer of Soul (… Or When the Revolution Could Not Be Televised), he has unearthed an aspect of Black history that won’t soon be forgotten. 

The year 1969 was pivotal for Black people. While much of the world was concerned with getting the first man on the moon, the Black community was focused inward, still reeling from a turbulent decade that stole the lives of Malcolm X, Medgar Evers, Martin Luther King Jr., and countless others. It was the final year of a decade marked by chaos, violence, and determination. It was also the year we shed the word negro and became Black.

Continue reading at ESSENCE.

tags: ESSENCE, Questlove, Summer of Soul (… Or When the Revolution Could Not Be Televised), Sundance Film Festival, Sundance 2021, Chocolategirlreviews
categories: Culture, Film/TV
Monday 02.01.21
Posted by Aramide Tinubu
 

Colorism Is Just The Tip Of The Iceberg In 'Passing'

What we know of race, not ethnicity or culture, but race in and of itself is that it’s a manmade construct. Yet, it has defined so much of our lives, journeys, and experiences — especially in America. Bringing Nella Larsen’s 1929 novel Passing to the big screen, Rebecca Hall’s directorial debut is a visceral drama centering on race relations, colorism, jealously, anguish, and desire. 

Set in Harlem amid the renaissance of the 1920’s, Passing follows Irene (Tessa Thompson) and Clare (Rutha Negga), childhood friends who meet again by happenstance one blazing hot summer day in the posh tearoom of New York City’s Drayton Hotel. It should have been a warm reunion, filled with talks of girlhood and current undertakings. However, from the moment Clare catches Irene’s eye across the grandly decorated room, something sinister begins brewing between the two women. 

Continue reading at ESSENCE.

tags: Sundance Film Festival, Sundance 2021, Passing, Ruth Negga, Tessa Thompson, ESSENCE, Rebecca Hall
categories: Film/TV, Culture
Monday 02.01.21
Posted by Aramide Tinubu
 

Sundance's Black Stories Are More Accessible Than Ever

Each year, filmmakers, cinephiles, and the creme-de-la-creme of the entertainment industry make their way to Park City, Utah for the Sundance Film Festival to be the first to watch some of the most buzzed-about films of the year. 

People like Ava DuVernay, Ryan Coogler, and Radha Blank have had career-defining moments at Sundance. This year, just like every other major cultural event, the largest independent film festival in the United States will look very different. Instead of gathering in theaters, coffee shops, and parties, Sundance attendees will be convening around their screens from the comfort and safety of their homes.

Continue reading at ESSENCE.

tags: Sundance Film Festival, Sundance 2021, ESSENCE
categories: Film/TV, Culture
Friday 01.29.21
Posted by Aramide Tinubu
 

Writer Warrior

Although Natasha Rothwell’s role in Wonder Woman 1984 is top secret, she’s an open book about where Black women are headed in Hollywood — all the way up.

Read more

tags: Natasha Rothwell, ESSENCE, Insecure, Wonder Woman 1984, chocolategirlwrites
categories: Culture, Film/TV
Friday 05.08.20
Posted by Aramide Tinubu
 

'Underground' Season Finale Recap: Either You’re A Citizen Or A “Soldier”

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All roads have been leading to the events that occur in the second season finale of Underground. As “Soldier” opens, one of John Brown’s men approaches Harriet Tubman’s hidden cabin. He speaks briefly with Harriet about plans for the attack on Harper’s Ferry which includes arming slaves on surrounding plantations. Though Harriet agrees with the risky but bold endeavor, she is shocked by Brown's invitation to participate.

In Ohio, Daniel sits with Elizabeth, Noah, Georgia and Rosalee asking for aid in rescuing his family in Kentucky. Once they realize that Daniel was blinded with lye as punishment for teaching his fellow enslaved people how to read, everyone is on board with the escape plan. Elizabeth and Noah, in particular, are looking for a fight, while Rosalee and Georgia reluctantly agree.

Getting together a group of abolitionists and some of John Brown’s men, Elizabeth and Noah come up with a plan to attack the plantations surrounding Daniel’s as a distraction in order to covertly steal away his family and friends. It’s going to be a tough rescue because of Daniel’s infant child. The team decides in order for the plan to work; they have to be back across the river in five hours tops.

Meanwhile, Cato seems to have slithered away from Patty Cannon and her gang for a moment. We find him in a room with some random redheaded white woman; it’s clear Cato has been plotting and planning. As he helps the woman get dressed, he coaches her into calling herself, Patty Cannon. What are you up to Cato?

Down South, August and Ernestine have made it back to Georgia. August arrives at his home, and we learn that both his wife and Jay, his trusted slave have died. We can only assume that his son is somewhere still hospitalized. Seeing his despair, Ernestine offers him some of her devil’s potion. He indulges, and after he passes out, Ernestine escapes through the vast cotton fields toward the Macon Plantation. When August finally catches up to her standing in front of the big house, the two look on stunned. There is nothing there, only bits of burnt wood where the commanding structure once stood. Later, Ernestine awakens to see August holding a gun to his head. She tells him it's time that he forgives himself for the horrible things he's done.

Up in Ohio, Rosalee finds James playing solitaire in the front of Georgia’s safe house. He and his big sister have a heart to heart. While James is a realist and doesn’t expect to see his mama again, Rosalee tries to tell him otherwise. They have a quiet moment of comfort while James lays his head on Rosalee's swollen belly, feeling the kicks of her unborn child.

Later in their bedroom, Rosalee and Noah still aren’t talking. Dressed in her nightgown, the heavily pregnant Rosalee helps Noah pack for his mission to get Daniel’s kin. She asks him to please return safely. She tries to explain to him that everything she did once finding out she was pregnant was done out of fear. Noah seems to understand this, but he’s still pissed. He tells Rosalee that he wants to forgive her; he just doesn’t know if he can.

Over the river in Kentucky, Noah, Elizabeth, and the crew are moving quickly between the three plantations. Though Noah gets Daniel's sleeping baby out, one of the plantation masters unties himself and holds a house girl hostage. While the men deliberate about what to do, Elizabeth takes matters into her own hands and blows the master’s head off. Elizabeth is tired y’all, and she’s done playing. Though the group eventually reaches Daniel and his family, they must arm themselves and fight their way back across the river. Many including Noah and Elizabeth do make it back to Ohio, but their victory is not without major bloodshed.

In the midst of all of this, there is trouble at Georgia’s. Patty Cannon has come to collect her Black Rose, and she’s started shooting up the place to work her way in. Though Georgia and the fellas hold her off for some time, she eventually gets in the house. While all of this is occurring, Rosalee who is now in labor grabs James and begins running through the house’s hidden tunnels. However, Cato has mastered the tunnels and finds her. Thinking quickly after seeing Cato, Rosalee and James barricade themselves into the kitchen, and an awestruck James looks on as his sister gives birth.

While Rosalee is laboring, Cato approaches Patty Cannon with evidence of Harriet’s hideout. Leaving her men behind, Patty, Cato and the biographer Mr. Donahue set out to capture Harriet. It’s then that Cato’s plot is revealed. After blowing Patty’s brains out (good riddance), Cato explains to a bewildered Donahue that Patty’s mistake was that she believed in her own legend. He also tells him that he will be leading Patty’s gang from now on. (If you recall, he already has a new Patty.) Cato explains to Donahue that he needs to deliver Black Rose to the men in order to gain their respect. He thinks that most men are just looking for a master anyway.

Continue reading at ESSENCE.com.

tags: chcoolategirlecaps, ESSENCE, Underground, WGN America
categories: Film/TV
Thursday 05.11.17
Posted by Aramide Tinubu
 

'Underground' Recap: Things Come Full Circle In 'Auld Acquaintance'

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Christmas time should be the season of giving, but on Underground, we know there is no such thing. After being caught teaching other slaves to read and write Daniel is back to work, but this time without his eyes to guide him. As a punishment for his perceived crimes, he’s been blinded. As one of the skilled carpenters on his plantation, I was actually astounded that this was done to him. It moves well beyond the realm of cruel and horrific, but then again so is the institution of slavery. During the antebellum period, a slave was worth the equivalent of what a car is worth today, which means that labor would be extremely costly to lose. Knowing this, I’m unable to reconcile why Daniel’s master would choose to blind him when his sight is such an integral part of his work.

Further North, Cato is plotting and planning. After stealing Mr. Donahue’s unfinished biography of Patty Cannon, and giving it to the infamous slave catcher, the two discover that Donahue doesn’t have too many kind things to say about the diabolical red head. He seems specifically perturbed that she has not been able to catch Harriet Tubman. Patty’s blood lust for Harriet is Cato’s way in. He provides her with some information that she did not have previously, the song of freedom. “Heaven’s Door” is actually the opening credits for the series; however, it's not a song from the period (John Legend produces it). Still, songs similar to it are what guided the enslaved on their way to freedom. With the song, Cato is able to find his way into Georgia’s safe house. Unless he’s back in touch with his humanity, things are probably going to get really bad for everyone.

The history books tell us that Patty Cannon was actually a real person. It is said that she lived in a house that straddled the border between Delaware and Maryland, and she made her money by selling free Black people into slavery. This is what she put Cato up to in last week’s episode. However, the real life Patty Cannon would have already been dead during Underground’s timeline. After being arrested for four counts of murder in 1829, the infamous slave catcher hung herself in prison.

In Ohio, white abolitionists have turned their back on Georgia after discovering her Black ancestry. It's amazing how Underground draws parallels to “well-meaning” whites and liberals in the present day. However, Elizabeth is fed up with their treatment. Under Harriet’s guidance, she helps the Sewing Circle devise a plan to steal money from a pro-slavery church on Christmas Day to keep the boarding house up and running. After doing a little sin to help the cause, Elizabeth decides she won’t be stopping there. Determined to do whatever it takes, she blackmails her white comrades into donating to the cause.

Down South on the Macon Plantation, James is preening like a peacock in the Big House. Mistress Suzanna has pitted him against T.R.; a devious plan that I’m certain will play out in years to come. Though he obviously feels guilty about exposing Rosalee, he wants no parts of her escape plan. After all, despite the horrors that surround him, his life is pretty good. He even tells Rosalee that she messed everything up when she ran. Rosalee might be branded and back in her old housedress for the moment, but she and Noah aren’t the same people they were when they first left Macon. They won't be sticking around this time.

Somewhere between South Carolina and the rest of the world, August and another one of Patty’s men have Ernestine tied up in a boat. Though she tries to escape their grasp several times, she and August bond over the memories of their sons. During her last attempt to escape through a thick fog, August kills the other man and he and Stein head back down South. But why though? None of this makes sense, and I still don’t trust August. Perhaps this is his chance to escape Patty Cannon as well.

Continue reading at ESSENCE.com.

tags: ESSENCE, Recap, Underground
categories: Film/TV
Thursday 04.27.17
Posted by Aramide Tinubu
 

Underground Recap: Harriet Tubman Stands At the Center Of ‘Minty’

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As a guide, warrior and no-nonsense champion, Aisha Hinds’ Harriet Tubman has been a visceral force during this season of Underground. Teaching Rosalee how to move cargo undetected and working with Georgia and Elizabeth’s abolitionist sewing circle, “the most notorious runaway" has integrated herself among all aspects of the cause and in “Minty,” we finally get the full view of her life and backstory. In an unprecedented move on television, Underground chose to put the spotlight on one character to drive the entire episode, and Hinds’ performance was exhilarating and masterful to watch. In a 19th century “TED Talk” of sorts, the audience meets the woman behind the legend as she paints an intricate tapestry of her childhood and how she became General Tubman. Born Araminta Ross around 1820, Tubman discusses the sisters that were sold away from her, and the horrendous abuse that she suffered as a child after bring hired out by her master to different estates. Even as a young girl, though she was often sickly, Harriet had a rebellious streak. She was mischievous and would use small acts of defiance to assert herself despite the conditions of her bondage. For Harriet Tubman, Harriet Beacher Stowe’s 1852 novel, Uncle Tom’s Cabin didn’t even scratch the surface of the horrors of slavery.

For Harriet, it was not just about abolitionists knowing her story; it was about them contemplating and fully understanding the violence of the institution of slavery and bondage itself. Despite her spunk and acts of resistance, Tubman came to realize that there could be no triumphs under slavery. Bolstered by rumors of her own sale to another plantation, Harriet decided to run for her freedom. However, as we learn in “Minty,” her actual journey to freedom did not begin the very first time she tried to run with her brothers. Though she only got a mile away from her plantation that first time, it sparked an inferno in Harriet that could not be doused. After befriending a white abolitionist, Harriet embarked on the journey that would lead to her tenuous freedom.

Continue reading at ESSENCE.

tags: Chocolategirlrecaps, ESSENCE, Underground, WGN America
categories: Culture, Film/TV
Thursday 04.13.17
Posted by Aramide Tinubu
 

Underground Recap: A Surprising Return And Unexpected Twist In 'Things Unsaid'

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The second episode of the second season of Underground, “Things Unsaid” opens with Daniel (Bokeem Woodbine), the slave we initially met in the season premiere, the one who was teaching himself to read. He enters his cabin to greet his wife and infant child. Excitedly, he reveals to his wife that he’s learned to read and write. His wife stares down at the small piece of parchment where he's etched the word, “LOVE” and rips the paper to shreds, reminding him that this could get them killed. Back in Ohio, Elizabeth sits on the courthouse steps screaming and wailing, staring down at the blood stain where John’s body once laid. Meanwhile, at the Hawkes’ home, Rosalee rushes through her tasks of preparing some herbs for some of the injured escaped slaves to take on their journey, tears steadily falling from her face. Pastor Grant, an abolitionist conductor, arrives to pick the cargo up. Seeing Rosalee in distress, he reminds her to focus on her family. He tells her, “Elizabeth is going to need you.”

At Georgia’s boarding house, Harriet and Rosalee discuss a plan to move forward and help free more slaves. In the middle of their conversation, Harriet passes out, which alarms Georgia. Starring down at the scar on Harriet’s forehead (she was hit in the head with an iron as a child), Rosalee assures her new friend that these episodes are normal. She also asks Georgia to send Elizabeth a wire apologizing for her absence. It looks like Rosalee isn’t taking Pastor Grant’s advice to stay back and help Elizabeth through her grief. When Harriet comes to, she announces, “The plan has changed.”

Continue reading at ESSENCE.com.

tags: 1858, black tv, Chocolategirlrecaps, ESSENCE, Slavery, Underground, WGN America
categories: Film/TV
Friday 03.17.17
Posted by Aramide Tinubu
 

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