Nana Mensah On Her Directorial Debut 'Queen Of Glory,' Netflix's 'The Chair' & Doing It All

Nana Mensah wants to conquer every aspect of the entertainment industry, and she’s already on a roll. The Ghanaian-American writer, director, producer, and actress is known for her performances in plays like Nollywood Dreams and The Man From Nebraska. She has also been flexing her talents behind the scenes in the writer’s rooms for shows like HBO’s Random Acts of Flyness, Amazon’s The Power, and Netflix’s The Bonding. However, her directorial debut, Queen of Glory, and a new Netflix series, The Chair, where she stars opposite Sandra Oh, have pushed her center stage in ways that she never expected.

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Life After ‘In the Heights’ Controversy: Here Are 9 Afro-Latino Stars Who Deserve Big Hollywood Roles

Jon M. Chu’s long-awaited film adaptation of Lin-Manuel Miranda’s “In the Heights” should have debuted to critical acclaim. From the dynamic musical numbers to the film’s stars, which include “Hamilton” standout Anthony Ramos, “Orange Is The New Black” star Dasha Polanco, and “Straight Outta Compton” breakout Corey Hawkins, all the signs pointed to another progressive hit on par with Chu’s “Crazy Rich Asians.”

Instead, in a film that was supposed to immortalize present-day Washington Heights — in a community called the Little Dominican Republic — the lack of Black and brown faces on screen was glaring. After all, 90 percent of Dominicans are of African descent. Unfortunately, as it is with “In the Heights,” colorism is pervasive in Latinidad. As a result, exhausting conversations about skin color, an entire market for skin lightening creams, and generation-long skin color preferences within families persist. All of this stems from rampant racism, colonialism, and anti-Blackness.

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Image: Pose/FX

Loki's Wunmi Mosaku On Not Changing For Hollywood: 'I Feel Blessed That I Look Like Me'

Long before she captured American audiences with her sharp portrayal of Ruby Baptiste in HBO’s Lovecraft Country, and later as the prideful Rial in Netflix’s His House, actress Wunmi Mosaku had amassed stellar acting credits. Born in Nigeria, raised in Manchester, England, and now based in Los Angeles, she confesses that making a name for herself in Hollywood is a bit like starting over. “I feel very new here,” the star says. “I don’t feel established in the U.S. I feel like I’m still finding my feet.”

In 2017, Mosaku became only the second Black actress in 62 years to score a British Academy Television Award (BAFTA), which she received for her supporting role in the film Damilola, Our Loved Boy. But that history-making win didn’t immediately shift the ground for her or change the type of parts she was offered. “It’s still up to the people who are making the shows,” she says. “A writer can write something, and then an executive producer can say, ‘No, we want them to look like this.’ Nothing happens overnight. But the only reason why I have a BAFTA is the Black actresses who came before me, who put in the legwork. It’s changing, but it’s slow.”

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Image: AMANDLA BARAKA

The Tammi Mac Late Show: Racist Cartoons

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Harry and Meghan’s Interview Reveals the Prince’s Burgeoning Racial Enlightenment

Prince Harry and Meghan, Duchess of Sussex’s interview with Oprah Winfrey has shattered any lingering illusions about the British royal family. In “Oprah with Meghan and Harry: A CBS Primetime Special,” the Sussexes discussed at length their decision to step down as senior working members of the royal family, while getting candid about all the abuse Meghan experienced from the British press, as well as the lack of support they received from the prince’s family.

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How Andra Day and Suzan-Lori Parks Forced a New Generation to Reimagine Billie Holiday’s Legacy

From her haunting vocals to her raspy cadence, Golden Globe winner Andra Day is wholly absorbed as the title character of “The United States vs. Billie Holiday.” Her visceral performance is the anchor through which Pulitzer award winner Suzan-Lori Parks and filmmaker Lee Daniels’ drama comes to life. The 1940s-set film reshapes Holiday’s legacy as the Godmother of the Civil Rights Movement, centering her activism through her seminal song “Strange Fruit.” It also showcases Federal Bureau of Narcotics Commissioner Harry J. Anslinger’s (played in the film by Garrett Hedlund) obsession with dehumanizing and silencing Holiday, and how he weaponized her drug addiction against her.

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Oge Egbuonu On '(In)Visible Portraits,' Her Love Letter To Black Women

Black women are often called the backbone of the Black community. We are literally the vessels through which the community continues to flourish. Yet, Black women endure the most abuse, othering, and hurt. We rarely get to be our fully realized selves without fear of retaliation from those outside of our community, and at times, even Black men. In her picturesque and haunting documentary, (In)Visible Portraits, filmmaker Oge Egbuonu turns her lens on Black women giving us back our agency and narrative.

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Black Superhero Movies Need a Savior, but Superman Requires a Fresh Take — Analysis

Hollywood’s obsession with superhero reboots shows no sign of letting up. By this time next year, “The Batman” will have brought the origin story of the caped crusader to the screen for the umpteenth time. Now comes the news that revered scribe Ta-Nehisi Coates is taking a crack at a new “Superman” screenplay, with DC eying a Black actor to play the lead.

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'The Black Church' Review: A Detailed History Lesson About One of the Black Communities Most Polarizing Institutions

The Black American experience is varied and expansive, but certain heartbeats and pulses ring familiar to vast portions of the community. One of those collective experiences is that of the Black church. Whether you're an active member in a church community, agnostic, or even if you are a member of a different faith, the hymns, stories, histories, and even some sermons might ring familiar. The Black church has been at the center of everything, existing inside of the Black community as we're transformed and evolved across the generations.

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Issa Rae Is Reflecting On 10 Years of 'Awkward Black Girl' And Envisioning What's Next

With a plethora of Black faces on TV and in films in everything from HBO's I May Destroy You to FX's Pose and OWN's Queen Sugar, it seems unimaginable that just a decade ago, there were almost no Black or brown faces on the big and small screens. Growing up watching a plethora of series like Living Single and The Fresh Prince of Bel-Air and seeing movies like Love & Basketball and Friday Issa Rae found herself baffled by the lack of representation in the 2010s, so she decided to do something about it. 

One year before Kerry Washington introduced us to Olivia Pope, Rae gave us a witty, refreshing, and unique depiction of Black women on-screen. The Mis-Adventures of Awkward Black Girl debuted on YouTube in 2011 and immediately swept across the internet like wildfire. The series garnered die-hard fans, critical acclaim, and a Shorty Award. 

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'My Name Is Pauli Murray' Review: A Knockout Doc Immortalizing A Truly Trailblazing Pioneer

Many Black Americans' contributions to this country have been erased, buried, or stamped out of the history books. Influential figures like Thurgood Marshall and Dr. Martin Luther King Jr., whose legacies have outlived them, remain pillars — but they were not the only history makers. They often weren't even the first. Though their name is still not well known, Dr. Pauli Murray was an activist, lawyer, poet, and priest whose fight against racism and segregation in the 1930s and 1940s paved the way for the Civil Rights Movements of the 1950s and 1960s. Moreover, Murray's term paper at Howard Law became a blueprint for 1955's Brown V. Board of Education, and the late Ruth Bader Ginsburg credited Murray's work in the 1960s for her landmark 1971 Supreme Court win for woman's rights.

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'Judas and the Black Messiah' Review: An Outstanding, Absorbing Narrative That Gets To The Heart Of Fred Hampton

For many of us, our introduction to Black Panther Deputy Chairman Fred Hampton began with his bullet-riddled body, a blood-soaked mattress, and a frigid winter night in Chicago. The then- 21-year-old revolutionary was a pillar in one of America's most segregated cities and in the fight for Black justice overall. In Shaka King's Judas and the Black Messiah, Hampton's (Daniel Kalyuua) brilliance, strength, and charisma are realized. While the film highlights the forces that eventually snuffed out his life, his legacy burns eternal. 

Set in 1968, Judas does not open with Hampton, but instead, with William O'Neil (LaKeith Stanfield), a low-level criminal who, after finding himself in the clutches of the Federal Bureau of Investigation (FBI), infiltrates the Panthers and weasels his way into Hampton's inner circle. Previous films and documentaries have shown snippets of the Illinois Black Panther Party during this violate time in the country's history. However, this film is perhaps the most complete portrait of who Hampton was as a man, a revolutionary, and an expectant father. 

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'Ailey' Gives Audiences A Glimpse Of the Renowned Choreographer Who Infused Memory Into Movement

When Ailey opens, the late Cicely Tyson comes into focus, standing glorious and regal on stage at the Kennedy Center for the Arts honoring the famed dancer and choreographer. Even then, at the tail end of his life, Alvin Ailey’s legacy both in the dance world and in the Black community was thunderous. 

Though he was an honoree at the Kennedy Center Honors just 30 years after founding the Alvin Ailey American Dance Theatre, not much was known about the reclusive dancer and choreographer’s personal life or past. Using his own words, never-before-seen interviews, archival footage, and accounts from those closest to him like Robert Battle, Carmen de Lavallade, and Judith Jamison, filmmaker Jamila Wignot unveils a figure for whom dancing and movement was like air and water. 

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Questlove's 'Summer of Soul (… Or When the Revolution Could Not Be Televised)' Unearths A Crowning Jewel In Black History

Amid our current civil rights movement and a tumultuous year that has brought forth a great deal of struggle and hardship, Ahmir “Questlove” Thompson has given us a gift. With his directorial debut Summer of Soul (… Or When the Revolution Could Not Be Televised), he has unearthed an aspect of Black history that won’t soon be forgotten. 

The year 1969 was pivotal for Black people. While much of the world was concerned with getting the first man on the moon, the Black community was focused inward, still reeling from a turbulent decade that stole the lives of Malcolm X, Medgar Evers, Martin Luther King Jr., and countless others. It was the final year of a decade marked by chaos, violence, and determination. It was also the year we shed the word negro and became Black.

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Colorism Is Just The Tip Of The Iceberg In 'Passing'

What we know of race, not ethnicity or culture, but race in and of itself is that it’s a manmade construct. Yet, it has defined so much of our lives, journeys, and experiences — especially in America. Bringing Nella Larsen’s 1929 novel Passing to the big screen, Rebecca Hall’s directorial debut is a visceral drama centering on race relations, colorism, jealously, anguish, and desire. 

Set in Harlem amid the renaissance of the 1920’s, Passing follows Irene (Tessa Thompson) and Clare (Rutha Negga), childhood friends who meet again by happenstance one blazing hot summer day in the posh tearoom of New York City’s Drayton Hotel. It should have been a warm reunion, filled with talks of girlhood and current undertakings. However, from the moment Clare catches Irene’s eye across the grandly decorated room, something sinister begins brewing between the two women. 

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Sundance's Black Stories Are More Accessible Than Ever

Each year, filmmakers, cinephiles, and the creme-de-la-creme of the entertainment industry make their way to Park City, Utah for the Sundance Film Festival to be the first to watch some of the most buzzed-about films of the year. 

People like Ava DuVernay, Ryan Coogler, and Radha Blank have had career-defining moments at Sundance. This year, just like every other major cultural event, the largest independent film festival in the United States will look very different. Instead of gathering in theaters, coffee shops, and parties, Sundance attendees will be convening around their screens from the comfort and safety of their homes.

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Angela Bassett, Loretta Devine and Lela Rochon on ‘that scene” from ‘Waiting To Exhale’

In the 25 years since Waiting to Exhale’s debut, the ground has shifted for Black female representation. The film, which was written by Terry McMillan and brought to life by Forest Whitaker, was the catalyst for that change.

Savannah (Whitney Houston), Robin (Lela Rochon), Bernadine (Angela Bassett), and Gloria (Loretta Devine) entranced audiences as they navigated life, love, and the bonds of sisterhood. It was a welcome and refreshing anomaly amid a slew of films that focused on narratives from the inner city — mostly centering Black men. The film changed the industry and catapulted the stars of nearly everyone who touched it. Now, on this pivotal anniversary, the key female players — plus the guys who portrayed their boyfriends, husbands and sons — talk to ZORA about making one of the most iconic films in history.

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'Alex Wheatle' is the latest revelation from Steve McQueen’s 'Small Axe'

In most biopics, filmmakers offer their audience a sweeping bird’s-eye view of the life of a historical figure. These films chronicle the person’s childhood and any trials or tribulations they may have faced before ending in a typical flourish of the subject’s successes and triumphs. In Alex Wheatle, the fourth film in the Small Axe anthology, which follows London’s West Indian community from the 1960s into the 1980s, Steve McQueen offers something different. The British-born filmmaker presents a snapshot of the life of a young man who was never meant to rise above his circumstances.

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Between The World And Me creates a tapestry of history and art from Ta-Nehisi Coates’ words

With his critically acclaimed nonfiction work, Between The World And Me, Ta-Nehisi Coates laid himself bare. Writing the book as a letter to his then 15-year-old son, Coates unearthed memories from his boyhood in West Baltimore, then moved to his son’s birth and into the present day. Between The World And Me was published in 2015, just before Trump gave new life to the United States’ rotten core. In the years since, social media and the ubiquity of cameraphones has amplified Black death in the media. Police brutality, unyielding anti-Blackness, and an exhausting presidential election cycle have dominated our day-to-day lives. With history at his back and the events of his own Black life embedded in his memory, the journalist could not have predicted our current state when he first published his manuscript. Still, the author ended up pretty spot-on. Coates was brutally realistic about Black life, even then. In HBO’s film adaptation of the New York Times best-seller, his words echo across the screen, burrowing into our past and leaving hints about the future of Black America and this country.

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'MLK/FBI' Strips Back the Legend of Dr. Martin Luther King, Jr. To Reveal a Man With Strengths and Flaws

Sam Pollard’s MLK/FBI opens in 1963 at the March on Washington. It was just five years before Dr. Martin Luther King Jr’s death and eight years after he was thrust onto the global stage as America’s moral leader. It was an arduous role for anyone to carry, certainly for a Black man who rose and fell amid some of the most tumultuous decades in our nation’s history. Yet, whether he was ready to shoulder this burden or not, Dr. King did so despite drastic attempts to undermine him at every turn. 

Using historian David Garrow’s book, The FBI and Martin Luther King, Jr., as a framework and some of the FBI’s declassified files on King, Pollard unveils the FBI’s crusade against Dr. King the did not end until the day he died. Through stunning archival footage and modern-day audio interviews from people like Civil Rights leaders Clarence B. Jones and Andrew Young and historians like Garrow and Beverly Gage, MLK/FBI is as much about Dr. King is it is about J. Edgar Hoover and W.C. Sullivans’s obsession with him. The FBI was intent on dehumanizing King with a five-year-long campaign that involved wiretappings, secret recordings, and spying to ruin his public persona. It is a saga of a government agency gone rogue. 

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