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SXSW Review: 'Dara Ju' Is A Brilliant Examination Of The Struggle Linked Between Familial Obligations & Crushing Personal Ambition

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As the daughter of a Nigerian immigrant, many of my formative years were spent trying to please my father. Though it was unspoken, I was expected to thrive both academically and socially. I dared not dream of following the crowd, and there was no wide berth given for any girlish teenage slip-ups. Luckily, I loved learning and school, so a great deal of the time I held up my end of the bargain. However, when I didn’t, when I wasn’t interested in taking a higher-level math course in high school or learning more about my Nigerian ancestry, a storm would brew between the two of us, incinerating everyone who stood in our paths. In Yoruba, the phrase “dara ju” means “best,” and that was what my father wanted me to strive for. And in his feature-length directorial debut of the same name, director Anthony Onah explores what it means to cling onto that standard while experiencing immense pressure in every aspect of your life.

In “Dara Ju,” we meet 24-year old Seyi (played by Aml Ameen), a tightly wound and ambitious Wall Street trader who is finding it increasingly difficult to balance his two worlds. Through Onah’s use of tight frames that capture Seyi’s face and mannerisms, we watch as he travels from his tiny apartment in downtown Manhattan to the finance company where he works, Brown Harmon, each day. Dressed pristinely in tailored suits, Seyi is desperate to prove himself despite his coworkers undermining him at every turn. On the weekends, putting on his façade of the dutiful son, Seyi travels to his parents’ home in Hackensack, New Jersey where his mother and sister Funmi constantly care for his ailing and unyielding father.

Onah’s willingness to deal with the messiness of familial obligations is painfully refreshing in this film. Though his father is desperate to recover from his stroke in order to travel to his homeland once more, Seyi simply goes through the motions in terms of the care he affords his father, resenting the time and money spent caring for a man he no longer respects. It’s evident that some astronomical incident has created a gaping hole in their father/son relationship, and it seems beyond repair.

Continue reading at Shadow and Act. 

tags: chocolategirlmoderates, Dara Ju, Nigerian Film, shadow and act, SXSW
categories: Culture, Film/TV
Monday 03.13.17
Posted by Aramide Tinubu
 

SXSW Review: 'The Work' Is A Compelling Documentary About The Barriers Of Invulnerability & The Pain That Shatters Us

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Films set in prisons often center around stories of redemption, broken paths, journeys to freedom or the day-to-day movements of those who must now live their lives behind bars. It seems astounding to consider, but the mental, emotional and psychological statuses of those who are carrying out lengthy sentences particularly for violent offenses are often overlooked. Imprisoned men and women are seen as being without redemption; labeled as damaged goods for involving themselves in the things that have led them to jail in the first place. In his directorial debut, Jairus McLeary shifts the lens away from the actual crimes and circumstances that have led men to prison and instead looks at the psychological turmoil that is keeping them in mental chains within jailhouse walls. “The Work” follows a group of men; prisoners who are serving time within Northern California’s maximum security Folsom Prison, and everyday men who journey into the prison to discover what’s ailing them as they move about freely in the outside world. The program, which is run by inmates and ex-convicts of the Inside Circle Foundation, funds and facilitates the retreat. Extending over the course of four days, prisoners leave the politics of prison life (and correctional officers) at the door, engaging in intense group therapy with one another in an attempt to find the source of their pain.

As the film opens, we meet the outsiders who will be joining the prisoners in this revealing process. Charles a bartender, Brian, a teacher’s assistant and Chris, a museum associate, all show up in search of something that either shakes them out of their state of complacency or gives them clarity. With no true narrative in place, “The Work” seeks to follow the men along with their incarcerated brethren on their four-day journey to find some peace and understanding about themselves and their circumstances.

Continue reading at Shadow and Act.

tags: chocolategirlreviews, mass incarceration, prison, shadow and act, SXSW, The Work
categories: Culture, Film/TV
Sunday 03.12.17
Posted by Aramide Tinubu
 

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