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18 Unforgettable Films to Watch During Black History Month

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We can’t get through Black History Month without talking about the significance of Black film and how it has influenced the culture. Oscar Micheaux’s 20th-century race films were made to combat mistrial images of the era. Sir Sidney Poitier reigned in the 1960's. There was the Blaxploitation era of the '70s,  Black City Cinema of the ‘90s and now there is a current resurgence of Black films. Like the rest of popular culture, Black folks have made their mark in movies. Though there is a vast list of acclaimed Black films, we chose some of the most unforgettable movies to watch during Black History Month. Friday

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F. Gary Grey’s feature film debut from the script written by Ice Cube was destined to be a classic. Fresh off his performance in Boyz n the Hood, Cube was clearly ready to write his own stories.

The film’s premise is simple; Craig (Ice Cube) is fired on his day off, and we watch what happens in the aftermath of the fallout. Joined by his homeboy Smokey (Chris Tucker), the men decide to get high and get into more shenanigans. The characters in Friday are what makes it so iconic. From Mrs. Parker to Felicia and obviously the late Bernie Mac’s Pastor Clever -- the lines in the flicks are endlessly quotable.

Soul Food

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Family and food will always be timeless for Black folk, and George Tillman Jr.’s 1997 flick Soul Food paired both of them together. The Chicago set film follows three grown sisters, Teri (Vanessa L. Williams), Maxine (Vivica A. Fox), and Bird (Nia Long) who are trying to come to grips with the death of their mother Big Mama (Irma P. Hall)

As the matriarch's death begins to rip the family apart, it's up to Maxine's pre-teen son Ahmad (Brandon Hammond) to get the family back together again. We know you remember that scene when Vanessa Williams pulls that knife on her cheating husband.

The story was so dope that it spawned a long-running television series on Showtime. In the Heat of the Night

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Despite the racial politics of the time, Sir Sidney Poitier dominated the box office in the 1960’s, and one of his most memorable films was the 1967 flick, In the Heat of the Night. In the film, Poitier plays a straight-laced detective Virgil Tibbs, who heads to the South to help catch a murderer.

Obviously, the good ole boys don’t take too kindly to his presence. The film pretty much goes as one would expect for Hollywood during that time period except for the fact that Poitier slaps the sh*t out of the racist white sheriff. It was the first time a Black person had ever hit a white person in the movies.

Continue reading at Shadow and Act.

tags: Black History Month, Chocolategirlwrites, Crooklyn, Friday, In the Heat of the Night, shadow and act, soul food
categories: Culture, Film/TV
Saturday 02.10.18
Posted by Aramide Tinubu
 

Interview: Ice Cube Talks 'Fist Fight,' Finding That Perfect Comedic Rhythm & What's Next

IceCube As much as Ice Cube has helped shape the fabric of hip-hop, the rapper, actor, and entrepreneur has also been a constant presence on the big screen since his feature film debut in John Singleton’s 1991 film, “Boyz n the Hood.” Starring in various film or television projects every year since then, Cube has formed a name for himself outside of gangsta rap, a position that few of his contemporaries have been able to obtain. With a new deal between Fox 21 TV Studios and his production company Cube Vision, Ice Cube has a ton on his plate. Recently, he took the time out to chat briefly with me and Shadow and Act about his upcoming film “Fist Fight,” working with top comedians and returning to the director’s chair in the future.

Aramide Tinubu: Hi, Cube How are you?

Ice Cube: I’m alright, how you doing?

AT: I’m great thanks! I really appreciate you taking the time to speak with me today about “Fist Fight.”

Cube: No problem.

AT: This is a very different type of high school comedy that focuses on teachers instead of students. What convinced you to sign on to “Fist Fight” after reading the script?

Cube: It was being able to work with Charlie Day, I just felt like these two characters would be perfect to play off one another. Him as Mr. Campbell and me as Mr. Strickland. I just kind of knew it would be a home run.

AT: Your character, Mr. Strickland is a pretty tough teacher and a Black male educator which unfortunately is still relatively rare in this country. Were you inspired by teachers that you had in high school when you were coming up with Strickland’s back-story and mannerisms?

Cube: Yeah, he’s an exaggerated version of a teacher I had named Mr. Toussaint. He was a woodshop teacher and man; he was pretty mean. (Laughing) He had this afro that he would comb to the front and he would just yolk people up, he was not playing.

AT: I know that shooting the actual fight portion of the film took eight days to film. Did you choreograph the fight scene in the film, or did you and Charlie Day improvise it?

Cube: Nah, we had to choreograph that. We had a great team who put it together. It took us like three days to even learn the fight and then another eight days to shoot it. But yeah, you have to choreograph that thing, or you end up hitting each other.

AT: Comedy is so difficult to pull off, what were the most challenging aspects for you while filming “Fist Fight?”

Cube: It was just making sure that Strickland was his own unique character and that he wasn’t like the other characters that I’ve played. I’ve played some mean guys, so you have to figure out how to give it a different flavor, a different spin. That was probably the hardest part.

AT: Since your film debut in 1991 with “Boyz n the Hood,” you’ve really gone between dramatic roles and comedy. You have your own comedic style, but you worked with everyone from Cedric the Entertainer to Chris Tucker and now Charlie Day and Tracy Morgan. How do you get into a rhythm with your co-stars who have very different comedic styles?

Cube: It’s about just being true to the character and also trying to set up the comedian that I’m working with because ultimately that comedian has to be funny. So, it’s just really making sure that you are a good partner and learning how to pull them alley hoops to the guy you’re working with so you can just dunk it home. It’s worked out for me pretty good.

Continue reading at Shadow and Act.

tags: Charlie Day, chocolataegirlinterviews, Cube Vision, Fist Fight, Friday, Ice Cube, nwa, shadow and act, The Players Club
categories: Culture, Film/TV
Monday 02.13.17
Posted by Aramide Tinubu
 

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