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Sundance Review: 'Quest' Is A Sobering But Warm Welcome Into The Lives Of A North Philly

Quest

More often than not, impoverished communities, especially those in inner cities are cast aside and forgotten about. Film, along with the rest of the world rarely pays attention to the people who live in these neighborhoods and the events that occur within them. Unless the film’s narrative is one of unimaginable tragedy or a rags-to-riches tale; one would assume from what cinema shows us, that these communities and these very real people don’t exist at all. With his beautiful and gently paced debut feature documentary “Quest,” director Jonathan Olshefski shatters the stereotypes of the inner city by giving one family a platform. We are introduced to the Raineys, an ordinary family living in North Philadelphia shortly after President Barack Obama’s first election in 2008.

We meet Christopher “Quest” Rainey and his to-be wife, Christine’a “Ma Quest” Rainey a few days before their wedding. Though the duo had been a couple for nearly two decades by that time; with a twenty-one-year-old son, William and a thirteen-year-old daughter PJ; the pair is eager for their impending nuptials. We watch as the couple is bonded in matrimony in a sea of pink and white roses with Christine’a donning a glittery tiara.  The film slides forward, slowly marking time mostly through television broadcasts of Obama as he addresses the nation about various horrific mass shootings. PJ propelling forward into teenhood and her constant growth spurts are perhaps the other only time markers.

Continue reading at Shadow and Act.

Image: Quest Film

tags: choclategirlreviews, inner city, North Philly, Philly, Quest, shadow and act, sundance
categories: Film/TV
Thursday 01.26.17
Posted by Aramide Tinubu
 

Tribeca Review: ‘Kicks’ Is a Gripping 21st century Tale About Inner City Masculinity, Violence & the Lust for Shiny Things

rsz_kicks.jpg

rsz_kicks When you're fifteen years old, the desire to fit in can be overwhelming. For some of us, if we're lucky, that carnal need to seek out the opinions of others fades slowly as we move further and further into adulthood. However, in adolescence, that thirst for approval is often tied to brand name material objects. For 15-year-old Brandon in Justin Tipping’s debut film "Kicks" that material object is a pair of black and red Jordan sneakers; the originals.

Told with sweeping and surrealist cinematography that paints the picture of a practically glittering Bay Area, “Kicks” follows the idealistic but scrawny Brandon, who believes that acquiring these retro J’s will enable him to fit in with his friends and peers. Instead, he rocks some shredded (once white) Air Force Ones from his middle school days. (When I was growing up, we called shoes likes these biscuits.) Painfully shy, Brandon exists almost on the outskirts of his friend group. He’s content to sit on the sidelines while his homeboys flirt with girls and run up and down the sun draped basketball court. Fed up with being the underdog and with his lack of shoe game, Brandon scrapes together some money for the once unattainable J's, which he purchases from the back of Crazy Daryl's van. The new kicks are life changing. Brandon suddenly becomes wrapped in a feeling of euphoria, where nothing feels out of reach for him. Unfortunately, his joy is short-lived as he’s soon jumped by a gangster named Flocko and his crew; the fresh sneaks ripped cruelly from his feet.

The duration of the film follows Brandon's desperate quest to recapture not only his sneakers, but also his perceived masculinity. Dragging along his best friends - ladies man Rico and self-proclaimed R&B singer Albert - Brandon travels from the Bay to Oakland dragging his cousins and his fresh-out-of-prison Uncle Marlon (Mahershala Ali) along on his dangerous adventure. As Brandon barrels forward blindly on his journey to be reunited with his Js, he’s confronted with the fact that all actions have consequences; a concept that often seems like an afterthought during our teenage years. Furthermore, the audience learns that Flocko has his own complex motivations for his volatile behavior.

Continue reading at Shadow and Act.

Image: Kicks

tags: boyhood, chocoaltegirlreviews, chocolategirlscreens, inner city, Kicks, masculinity, Tribeca Film Festival
categories: Film/TV
Tuesday 04.19.16
Posted by Aramide Tinubu
 

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