• Work
  • Contact
  • Instagram
A Word With Aramide
  • Work
  • Contact
  • Instagram

'The Five Devils' Is A Fascinating Blend Of Genres [CANNES REVIEW]

Writer-director Léa Mysius' second feature, The Five Devils (Les Cinq Diables), seems pretty straightforward at first. The film follows eight-year-old Vicky (Sally Dramé), who lives in the French Alps with her swim instructor mother, Joanne (Blue is the Warmest Color's Adèle Exarchopoulos), and her firefighter father, Jimmie (Moustapha Mbengue). Vicky is an outcast and the only Black student at school; her classmates tease her with racist taunts like "butt brush" and "toilet brush," referencing the massive afro that swirls around her face. Despite the bullying, Vicky is primarily unbothered. She's content to spend her time with her mother and grandfather (Patrick Bouchitey), collecting jars full of her favorite scents that she keeps diligently labeled in her room. 

Vicky's intense sense of smell is the first indication that there is something mystical and magical amiss with this film. For many people, smells enact memories, driving us back to certain places and spaces in our lives. But for Vicky, it's much more than that. Using her nose alone, she can find her mother in a blindfolded game of hide-in-seek. She can also identify where something has been or what it has come into contact with. Her collected scents are her reprieve from the chaotic world around her until something even more powerful begins to consume her. 

Continue reading at Shadow and Act.

tags: The Five Devils, shadow and act, Cannes Film Festival, french films
categories: Film/TV
Monday 05.23.22
Posted by Aramide Tinubu
 

In ‘El Agua’ One Young Woman Decides Her Own Fate [CANNES REVIEW]

Elena López Riera’s debut feature El Agua is a mystical blend of fiction and documentary-style filmmaking. Set in Orihuela, a small Spanish town outside of Madrid, the film follows 17-year-old Ana (Luna Pamiés), who comes from a long line of “cursed” women. Her mother, Isabella (Barbara Lennie), and grandmother, Angela (Nieve de Medina), have lived in Orihuela all of their lives. Now that school is complete, Ana has become increasingly fearful that she, too, will be stuck in the village forever. Though she has a close-knit group of girlfriends, there is little more to do in Orihuela than smoke, party, race pigeons, drink and find work picking fruit in the citrus groves.

Continue reading at Showbiz Cheatsheet.

tags: Elena López Riera, El Auga, Cannes Film Festival, Unifrance, french films
categories: Film/TV
Monday 05.23.22
Posted by Aramide Tinubu
 

‘Summer Scars’ Is Too Ambitious for Its Own Good [CANNES REVIEW]

Summer Scars (Nos Cérémonies) opens with two young brothers playing a game of chicken. They sprint furiously across a large cliff overlooking the sea in Southwest France. The eldest brother Tony (Gregory Lu), taunts Noé (Benjamin Lu) to run faster. The lighthearted game ends abruptly in the next round. Tony fails to break his acceleration and skids forward, tumbling down the side of the rock. When a frightened Noé reaches the bottom of the cliff, he finds his older brother’s body sprawled out with blood pouring from his head. Weeping and pleading with Tony to stay with him, Noé kisses his brother in what the audience assumes is a final farewell. 

Continue reading at Showbiz Cheatsheet.

tags: Summer Scars, Cannes Film Festival, Unifrance, french films, Simon Rieth
categories: Film/TV
Sunday 05.22.22
Posted by Aramide Tinubu
 

‘Everybody Loves Jeanne’ Is Witty Melancholy Perfection [CANNES REVIEW]

Romantic comedies aren’t exactly hitting the nail on the head for women over 30. Therefore, when a film gets it right, it sits with you for quite some time. As is the case with Céline Devaux’s debut feature, Everybody Loves Jeanne. Jeanne Mayar’s (Blanche Gardin) life isn’t exactly going to plan. Just as her career as an environmentalist is set to launch to the next level, a mishap with her self-powered sea cleaning machine causes all of her investors to pull out at the last minute, effectively bankrupting her. 

Now swimming in debt, she has no choice but to take her brother Simon’s (Maxence Tual) advice and travel to Lisbon, clean out their deceased mother’s massive apartment, and put it up for sale. Jeanne has been actively avoiding her childhood home and the tragic circumstances surrounding her mother’s death for the past year. Returning there is the very last thing she wants to do. 

Continue reading at Showbiz Cheatsheet.

tags: Everybody Loves Jeanne, Blanche Gardin, Céline Devaux, Cannes Film Festival, Showbiz CheatSheet, french films, Unifrance
categories: Film/TV
Saturday 05.21.22
Posted by Aramide Tinubu
 

'Rodeo' Is An Unexpected and Sometimes Bewildering Ride [CANNES REVIEW]

From the moment Julie (Julie Ledru) is introduced in Rodeo, it's made clear that the only thing she cares about is motocross. However, the expensive sport doesn't exactly fit into the twenty-something's current lifestyle and financial plan. Living in a housing project apartment with her mother and brother, every day of Julie's life has been a fight. Still, first-time director Lola Quivoron never presents Julie as a waif. Though her slender frame and wild mass of hair could have certainly had her walking runways in another life, in this one, she spends her days stealing motorbikes from unsuspecting eBay sellers after she cons her way into getting test drives.

As a loner, companionship -- romantic or otherwise -- doesn't seem to be high on Julie's list until a faithful encounter with the B-Moore bike gang changes everything. Riding solo, Julie happens upon one of the all-male group's illegal rides. Enamored, she watches them as they thrust their bikes in the air, twisting and turning their bodies over the seats and handles with elegance and style. The scenes are some of the most mesmerizing of the film. Quivoron worked with acclaimed stuntman Mathieu Lardot of Mission: Impossible fame to capture the shots on-screen.

Continue reading at Shadow and Act.

tags: shadow and act, Rodeo, Julie Ledru, Lola Quivoron, Unifrance, french films, Cannes Film Festival
categories: Film/TV
Friday 05.20.22
Posted by Aramide Tinubu
 

‘Love According to Dalva’ Won’t Let You Look Away [CANNES REVIEW]

It’s not clear how old Dalva (Zelda Sampson) is when her face first appears on screen, but the audience soon learns the 12-year-old is made to look much older than she is for a reason. Emmanuelle Nicot’s debut film, Love According to Dalva, opens in a frenzy of screams and shouts as Dalva, with her red hair placed perfectly into a chignon, bangs her fists on a door screaming for a man named Jacques (Jean-Louis Coulloc’h) as the police take him away. Shortly after that, Dalva is seen being quietly examined by a calm but concerned doctor. The girl focuses on the woman’s eyes, brown skin, and necklace as the examination occurs. As Nicot’s camera zooms in on Dalva’s face, her youth is immediately apparent, and it’s clear that something horrible has happened to her, even if she doesn’t realize it just yet. 

Sexual abuse and trauma are always challenging to unpack, especially when the survivors are children and have dealt with incest. They are also narratives that are nearly unbearable to watch on screen. However, by turning the story over to Dalva, instead of centering it on one of the adults surrounding her, Nicot never allows her audience to look away. Instead, in Love According to Dalava, we walk through Dalva’s journey with her as she struggles to understand the grooming and the abuse she’s endured while trying to recapture some of the childhood that has been snatched away from her. 

Continue reading at Showbiz Cheatsheet.

tags: Love According to Dalva, Cannes Film Festival, Emmanuelle Nicot, french films, Unifrance
categories: Film/TV, Culture
Friday 05.20.22
Posted by Aramide Tinubu
 

A Bright-Eyed Young Girl Gives ‘Alma Viva’ Its Magic [CANNES REVIEW]

For precocious and bright-eyed Salomé (Lua Michel), her grandmother, Avo (Ester Catalao), is magic. In Alma Viva, the French-born young girl spends her summers under the muggy heat of her family’s Portuguese village, where she tends to her beloved Avo, who is known in town as the village sorceress. Though her aunt and uncle buzz around them in the background, Avo is the center of Salomé’s world. She tends to her grandmother, brushing her hair, bringing her fish, and praying at her side as she calls on spirits and communicates with the dead.

Continue reading at Showbiz Cheatsheet.

tags: Cristele Alves Meira, Cannes Film Festival, Alma Viva, Unifrance, french films
categories: Film/TV
Thursday 05.19.22
Posted by Aramide Tinubu
 

‘Scarlet’ (‘L’Envol’) Never Becomes the Fairytale It Seeks to Be [CANNES REVIEW]

Italian director Pietro Marcello’s French-set film Scarlet (L’Envol) is ambitious. Adapted from Russian writer Alexandre Grin’s 1923 novel Scalet Sails, the film centers on a young woman, Juliette (newcomer Juliette Jouan), through her childhood and into her early adult years. Juliette is raised in the French countryside of Normandy by her father, Raphaël (Raphaël Thiéry), and a caring widow Adeline (Noémie Lvovsky), who houses the father/daughter duo on her farm. Adeline steps into the role of a surrogate mother following the death of Raphaël’s wife.

Continue reading at Showbiz Cheatsheet.

tags: Cannes Film Festival, Pietro Marcello, L’Envol, Scarlet, Chocolategirlreviews, Unifrance, french films
categories: Film/TV
Thursday 05.19.22
Posted by Aramide Tinubu
 

Powered by Aramide Tinubu