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South African Crime Thriller 'Number 37' is an Exhilarating Ride About Greed and Desperation (Review)

In her superb crime thriller, Number 37,  South African filmmaker Nosipho Dumisa channels the master of horror, Alfred Hitchcock to show the impact of desperation and greed on a person's soul. Dumisa turns her lens on a man named Randal (Irshaad Ally), a former drug dealer who is left crippled as a result of a botched robbery. Devastated by his inability to sustain the life he once had, and desperate to stay under the radar of a diabolical loan shark named Emmie (Danny Ross), Randal's only outlets are his long-suffering girlfriend Pam (Monique Rockman), and the pair of binoculars she gifts him. 

Set in the gloomy and gritty government housing projects in Cape Town, Dumisa pulls no punches when it comes to illustrating the violence and abject poverty that continues to chew away at impoverished communities of color. The filmmaker also refuses to make excuses for her main character. Though Randal is confined to a wheelchair and his home, it’s clear that he is is the villain in his own story. Seeing no way to carve out a better path for himself, the ill-tempered criminal thrusts much of his pain and anger on Pam — who tries but fails to sustain it. 

The couple’s luck seems to shift one day when Randal — hopelessly looking to connect with the outside world, witnesses the murder of a police officer at the hands of the project's most violent criminal, Lawyer (David Manuel). Seeing the murder as an opportunity to escape his present circumstances, Randal decides to blackmail Lawyer for the money he owes Emmie so he can start a new life. 

Continue reading at Shadow and Act.

tags: Number 37, South African Film, black film- black female director
categories: Film/TV
Thursday 11.01.18
Posted by Aramide Tinubu
 

Interview: Director Nzingha Stewart on How 'With This Ring' Is Different + Much More

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Nzingha Stewart is a writer director based in Los Angeles, California. Her latest work "With This Ring," is about three single friends who vow to get married within a year.

Stewart recently spoke with Shadow and Act about the film as well as an exciting upcoming project.

Aramide Tinubu: How did you come across Deneane Millner’s book “The Vow”? Were you looking specifically for a story about single Black women looking for love?

Nzingha Stewart: None of the above. Gabrielle Union and I were introduced by Brian White who is actually in the movie, and we hit it off famously and became really good friends. She had the rights to the book and knew the author really well.  And because I’m a writer and director, she was like take a look at this and see if you can come up with something.  We really haven’t had a kind of Waiting to Exhale, with really fun Black women who are beautiful and their world is great to look at. They’re not like pulling out weaves. It’s just a fun, great, sisterhood movie. And I was like; I would love to do that. I would love to do something with beautiful Black women who love each other and have each other’s backs and their drama is in other places.

Aramide Tinubu: Recent films like "Jumping the Broom" (2011) "Think Like A Man" (2012) and "Baggage Claim" (2013) deal with similar romantic issues for Black Women. How is "With This Ring" different?

Nzingha Stewart: I think it actually starts with the intention. At the very beginning of the movie, I think that our intention wasn’t let’s just make a movie with Black women; they’ll show up. It wasn’t that at all.  I think people think this is a movie with a “you’ve got to get married theme”, and it’s actually the opposite. For me, I felt like there were so many times I would invite friends on a trip, like let’s go to Paris or let’s go to Budapest. And they would be like yeah, that’s a really romantic city I’m going to wait until I can go with my husband. And it’s like well; you don’t even have a boyfriend. Aramide Tinubu: You’ll be waiting forever. Nzingha Stewart: Right, you’re going to be waiting for a minute. And just the idea that so many people, I do it myself sometimes with my career, [think], I’m not going to be super happy until I’m here.  I have to catch myself and think well, what if that takes ten years? Am I just going to blow off this gift that the universe has given me of the next ten years and not be happy, and not feel fulfilled. Or, when I‘m doing something that’s fun, I’m occupied mentally with how do I get to this place?  I really was like we’ve got to stop that. We’ve got to stop waiting on the relationship to fulfill us or the career achievement, or the house or the money, or when something else in the future happens. We’ve really got to realize, this is our life and we’re blowing it. We are missing it. And so, the intention was so pure that I really want to get this across to Black women and I think it’s different in that way. I don’t know what the intentions of the other movies were, or what the thought process was. But I can tell you between Gabrielle and me, it was not let’s just get a movie made or, we bet Black women will like this. It was like let’s create something for people that we love, which are other Black women. Let’s kind of support them in remembering, happiness is a choice and don’t wait. Don’t do that to yourself.

Aramide Tinubu: What do you think about the statistic that 49% of Black women will never get married? Do you think that the media has exacerbated the statistic and put more stress on Black women?

Nzingha Stewart: I think the media definitely does it but I think more than the media, we do it to ourselves.  I cannot go home for Christmas dinner and someone not say, “Why aren’t you married yet?” Or, “When are you going to get married?” That’s not CNN in my house, that’s my aunties.  And sometimes I just screw with them and I’m like, “Well obviously there is something wrong with me, maybe if I didn’t have hoven feet somebody might like me.”  It’s because it’s so ridiculous to say that.  I do think obviously it’s a number game and those aren’t insane misperceptions. Maybe it’s a little bit better like forty percent won’t get married. But there is some truth to the fact that statistically its just not happening. So in knowing that, what if it never happens? Are you just not going to be happy with your life? And I ask myself that everyday about something. Whether it’s some projects I’m waiting to hear about, or some project that I want to see happen. I sort of just sit with the reality of, so what if this doesn’t happen? What if this is it? What if this is my life forever? Am I just not going to be happy? And then I’ll say of course not, I gotta live.  And I realize when I decide that if everything stays just exactly the way that it is, I can be happy like this. The universe will be like, let me give you everything else you ask for too. Then it’s a weird cycle, when you are in a good place, doors start opening and that has always been the truth.

Continue Reading at Shadow and Act 

tags: black film- black female director, chocolategirlinterviews, film industry, lifetime, Nzingha Stewart, Shadow & Act, With This Ring
categories: Film/TV
Thursday 01.22.15
Posted by Aramide Tinubu
 

Film Review || Beyond the Lights

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"It's not my business what you had with her, and now I see that you're not free of her. And it was foolish to compete with her, but my fractured heart cries 'Choose Me'". ~ Noni JeanIn this media obsessed society we are constantly bombarded with images of celebrities. We have become constant voyeurs, looking from the outside in. We form our opinions about celeb lives from tabloids and photographs, never truly knowing what it is that we are judging or praising.  Gina Prince- Bythewood’s Beyond the Lights gives us a rare and intricate look at the life of a fast-rising star, from the inside out.

Prince-Bythewood’s third feature film follows, Noni Jean (Gugu Mbatha- Raw) a young entertainer who is on a fast track to major fame, but who is suffocating internally. Mega-sexualized, overworked and bitterly unhappy, Noni has become a puppet, controlled by her label and her mother/manager, Macy (Minnie Driver).  Nauseated by the stage-show that has become her life, Noni decides to jump from the balcony of her hotel room.
Kaz (Nate Parker) is the police officer assigned to Noni the evening she attempts suicide. Though he’s able to talk her out of leaping to her death, Naz is disgusted by the circus and lies that follow the incident. (He's a true boy scout at heart.) Unwilling to be sucked into Noni's circus, Kaz attempts to walk away. Despite his efforts, their connection crackles and ignites.
Noni  is drawn to Kaz's quiet, damn near broody nature.(Parker is perfect in the role. He’s constantly watching, quietly observing, taking her all in.) Likewise, Kaz is intrigued by Noni's spirit. She's hidden somewhere behind the image that she presents to the world.
The film is breathtaking because of the exquisite  performances. So often romantic dramas fall into the realm of corny.(And this is from a sappy girl who appreciates a bit of corniness.)  Few films, those like Love Jones (1997) and The Notebook (2004) speak universally to audiences about love.  The honesty in those films is what connects us. Mbatha-Raw and Parker's performances are so electric that they remain believable throughout the entire film. Their characters become more of themselves as their connection deepens. Prince-Bythewood made the decision to strip Noni bare both mentally and physically. As the film progresses the layers of makeup, hair and costuming are peeled away until Mbatha-Raw's bare face is left staring wide-eyed at us.
Kaz becomes more himself as well, perhaps in ways that he least expected to. Often it's the paths that we so rigidly insist on following that are holding us back from our densities. (I really could wax poetic about how delicious Nate Parker looked in this film, but that’s neither here nor there...)
The man doesn't even have any facial hair and I'm STILL here for it! (Y'all know my disgust for lack of facial hair.)
Another standout performance in the film is Minnie Driver as Noni's mother, Macy Jean. A shrewd woman, she seems to value Noni’s image over her well-being. The beauty in the role is that Prince-Bythewood refrains from making Macy completely villainous. She has layers and complexities just like anyone else.
The film is extremely contemporary, it's very much a romance of this moment. It does not shy away from issues of mental health, race, class, celebrity culture and sex. I also really enjoyed the equality dynamic amongst the pair in terms of their careers and ambitions. (Don't nobody want a lazy ass partner.)
Beyond the Lights is lovely. Arguably better than Prince-Bythewood's first feature Love & Basketball (2001). (I'm sure there will be a thousand debates about this.) The performances are outstanding, the music is entertaining and the chemistry is extremely sexy. (Did I mention Nate Parker?!! Gugu is also stunning and you should check her out in Belle if you have not seen it.)  I know one thing, I shall never view plane takeoffs the same (surfbort). I’d even go out on a limb and say that men will enjoy the film as much as women.
Go head on Ms. Prince-Bythewood, continue to make them tell your stories! I'm so here for Black women directing mainstream films. (Ava DuVernay's Selma is up next.)
Beyond the Lights is in theaters November 14. (Take your boo, your mama and them. Or just take yourself, you're worth the date.)
xoxoxo Chocolate Girl in the City xoxoxoxox
PS. Nate Parker
tags: Beyond the Lights, black film- black female director, black love, chocolategirlreviews, chocolategirlscreens, film, Gina Price Bythewood, romance
categories: Film/TV
Thursday 11.13.14
Posted by Aramide Tinubu
 

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