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Review: 'The Fate Of The Furious' Proves The Beloved Franchise Hasn't Quite Run Out Of Steam

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My hopes weren’t exactly high for the eighth installment of the “Fast and the Furious” franchise. However, despite a tawdry, lackluster opening sequence that could have been inserted in any action film featuring fast cars and scantily clad women, about twenty minutes into the film the majority of the cast and director F. Gary Gray found their footing and kept it moving through the duration of the film. As a result, “The Fate of the Furious” manages to run on more than just fumes. The explosive action film focuses on Vin Diesel’s Dominic Toretto who is enjoying his honeymoon with his new bride, Letty (Michelle Rodriguez), in picturesque in Havana, Cuba. However, things go left when the diabolical Cipher (Charlize Theron) shows up forcing our favorite outlaw to turn his back on his code and his family. Theron slays as the psychopathic icy blonde who is holding a major bombshell over Toretto’s head. She enlists him to do her bidding in capturing some nuclear warheads and the codes to set them off. Unfortunately, the ghastly choice to drape Theron in horrid limp blonde dreads was a distraction for the majority of the film, and if she wasn’t so chillingly believable, this costuming mishap could have easily propelled her into the realm of caricature.

Other highlights in the film are Academy Award winner Helen Mirren whose delicious cameo-like appearance will have you laughing out loud. Additionally are franchise late-comers Dwayne “The Rock” Johnson and Jason Statham, whose characters – Luke Hobbs and Deckard Shaw respectively – have some of the only backstories that run cohesively throughout the entire plot of the film. Also, their hilarious banter and iconic prison sequence are the gems that will keep audiences excited throughout. With the cumbersome overall narrative of the film, these two are the glue that holds it all together.

Speaking of a shaky narrative and the bloated cast, it’s past time for the franchise to start pairing things down. Tyrese Gibson’s Roman Pierce and Chris “Ludacris” Bridges’ Tej Parker are given absolutely nothing to do. The comic relief in “The Fate of the Furious” has been taken over by Johnson and Statham, so characters played by Gibson and Bridges have been reduced to corny exclamations, and what seemed like a paragraph worth of dialogue between them. The cast is quite robust without trying to make room for every single person that ever touched the franchise. Therefore, if Roman and Tej are going to continue on; I hope the screenwriters make them more than living, breathing relics of past films.

Continue reading at Shadow and Act.

tags: chocolategirlreviews, F- Gary Gray, Fast 8, The Fast and the Furious, The Fate of the Furious, The Rock, Vin Diesel
categories: Film/TV
Wednesday 04.12.17
Posted by Aramide Tinubu
 

Review: ‘Central Intelligence’ Is Quintessentially Kevin Hart

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maxresdefault Everyone remembers high school. Whether you had the time of your life, or you were counting down the days until graduation, those four years made some sort of impact on your journey into adulthood. Personally, I look back and thank God for contact lenses, Shea butter, and a bit more wisdom. Still, for me, high school wasn’t all that bad. But, no matter what your experience, “Central Intelligence” reminds us just how horrific or glorious those high school days might have been.

From “Get Hard” with Will Ferrell to “Ride Along” and “Ride Along 2” with Ice Cube, Kevin Hart has mastered the buddy comedy genre as of late. In “Central Intelligence”, he stars as the complacent accountant, Calvin Joyner, who misses his glorious high school days. Calvin finds himself reluctantly pulled into a CIA plot when he reconnects with the most humiliated nerd from high school, Bob Stone. Playing the once overweight nerd turned Hercules, Dwayne “The Rock” Johnson stars as Hart’s hunkier counterpart who gets him swept away in an adventure of a lifetime. After being unwittingly roped into Bob’s world of espionage and shootouts, Calvin is shocked out of his near comatose existence.

There’s nothing new in “Central Intelligence”. We’ve all seen this movie before. You can almost time Hart’s comedic beats at this point, and the plot of the film runs pretty much in the same vein as any other buddy action comedy. A duo with opposing personalities hook up in order to solve a crime. Along the way, they find that they must learn to work together, or get defeated by the enemy. “Central Intelligence” in no way brilliantly transforms or breaks the mold for the genre. In fact, the shootout scenes in the film were unsettling for me considering the horrific tragedy that occurred in Orlando not even a week ago.

Still, despite the generic formula, a few things stood out. The Rock’s transformation into nerdy highschooler Robbie Weirdicht is CGI gold.  Unfortunately, much of that spectacular opening sequence has been revealed in the film’s trailers. And while I appreciated the narrative allowing the adult Bob to cling to his love for fanny packs, unicorns, and John Hughes films, this character simply isn’t all that convincing on a towering figure like The Rock.

Speaking of towering figures, the physicality in the film is striking to watch. While the stunts are amusing, The Rock’s huge physique dwarfing Kevin Hart’s more compact frame makes the action sequences even more hilarious. The stark contrast got me wondering about how the cameramen maneuvered around the twelve-inch height difference between the actors.

Continue reading at Shadow and Act.

Image: Warner Bros.

tags: Black Comedy, Buddy Films, Central Intelligence, chocolategirlreviews, chocolategirlscreens, Dwayne Johnson, Kevin Hart, shadow and act, The Rock
categories: Film/TV
Friday 06.17.16
Posted by Aramide Tinubu
 

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