Tyler Perry Risks It All With 'Acrimony' (Review)

Since the beginning of time, women have been dismissed as crazed or deranged, their emotions ridiculed and shoved aside as irrational or without merit. Though mental illness and unhealthy behaviors are certainly very real, women aren’t often allotted the space to tell their stories and to speak their truths without fear of backlash or being confined to some heinous outdated stereotype. In his new suspense thriller Acrimony, Tyler Perry sets the stage for one woman, Melinda Gayle (portrayed by Academy Award nominee Taraji P. Henson) to tell her story — a tale riddled with heartbreak and betrayal. Beautifully shot in crisp, dark greys, the film opens in the aftermath of Melinda and her ex-husband Robert’s (portrayed by Lyriq Bent) marriage. It’s clear from her outbursts and enraged emotional state that Melinda is not dealing with the demise of her relationship well. Order by the courts to attend counseling sessions, a reluctant Melinda dials back time eighteen years and begins to piece together the romance between herself and Robert – which started in college and eventually led to the inside of a courtroom.

Henson, as usual, is intensely captivating as Melinda, her fury literally penetrates the screen as she relays the story of her relationship to her therapist and to the audience. Perry captures her various emotional states, slowly building to her current boiling point. Bent, who rose to prominence in the Saw franchise and who currently sizzles as Jamie Overstreet in Netflix’sShe’s Gotta Have It is also fantastic. The chemistry between the actors is very much that of two people who have spent nearly two-decades of their lives with one another.

Instead of forcing Henson and Bent to play younger versions of themselves, relative newcomers Ajiona Alexus (who plays young Cookie on Empire), and Antonio Madison are wonderfully cast as young Melinda and young Robert respectively. Their stellar performances with all of the levity, earnestness, and hope of youth created a steady foundation. They were also able to connect their characters seamlessly with Bent and Henson's older version.

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Lyriq Bent Talks 'Acrimony,' Storytelling And Why He'll Never Be Put In A Box

Lyriq Bent is captivating. At six-feet tall, the dashing actor exudes warmth and maturity on screen and in real life. Since stepping into the entertainment industry in the early 2000s, Bent has been gaining momentum, starring in everything from the infamous Saw franchise to the acclaimed mini-series, The Book of Negros and more recently, in Spike Lee’s Netflix joint, She’s Gotta Have It. However, Bent’s latest venture, starring opposite Taraji P. Henson in Tyler Perry’s R-rated crime thriller,Acrimony will reveal a different side of the Kingston native. Ahead of the film’s premiere, Bent and I sat down to chat about the flick, working with Perry, and why he and Henson just clicked. Though he’s been in the industry for some time, Bent hadn’t had the opportunity to work with Perry until now. "(Acrimony) was so different than what (Tyler Perry’s) normally done," he explained. "The opportunity to help him create a beautiful story in a different genre was important to me because I can see we have to tell our own stories, and Tyler's done more than his part in trying to do so. Now that he has so many films under his belt, he felt it necessary to change genres, so I felt very lucky that he thought that I was capable or that he had the confidence in me to make that crossover."

For Bent, Acrimony is much more than a tale of an embittered, unhinged woman out for revenge. The foundation of the film was grounded in a young romance between Bent and Henson's characters Robert and Melinda which blossomed over time. "I liked the fact that it's a story about human nature," he revealed. "It's about emotions. It's about two people who love each other and try to build a life together, and they go through an emotional rollercoaster. They try to bring it all back home at the end of the day."

Netflix's 'She's Gotta Have It' is bold, brilliant & black as hell (Review)

From the moment the Prince/ Notorious B.I.G. opening track rings out from the television screen, Spike Lee’s electric new Netflix joint She’s Gotta Have It springs to life. After much critique about his "woman problem" in some of his past work — Lee has gotten with the program. Tracy Camilla Johns’ 1986 Nola Darling, which was set against a crisp black and white Brooklyn background will always remain glued in my memory, but the film was ruined for me when our protagonist was viscously raped by her suitor Jamie Overstreet (Tommy Redmond Hicks). I haven’t gotten over it, and neither has Lee.In a 2014 interview with Deadline, he said, “It was just totally…stupid. I was immature.” We are in an age where women – especially Black women are laying themselves bare, and unapologetically demanding to be heard. With guidance from his wife, Tonya Lewis Lee who also serves as an executive producer on the Netflix TV adaptation of She’s Gotta Have It — Lee presents an image of a Black woman who is as refreshing as she is enticing. Shots Fired and Underground alum DeWanda Wise is center stage this time, delivering a brown-skinned Nola Darling whose the homegirl you love, envy, and are sometimes exasperated with. Netflix’s She’s Gotta Have It is a complicated and multi-angled portrait of a millennial Black woman trying to make in Fort Greene, Brooklyn. Nola’s got her men — Greer Childs (Cleo Anthony), Jaime Overstreet (Lyriq Bent), and Mars Blackmon (Anthony Ramos) all return in vibrant color with new layers and subtle personality changes. However, she’s also got her girlfriends Shemekka Epps (Chayna Lane) and Clorinda Bradford (Margot Bingham), a lady lover (Ilfenesh Hadera) and a bomb ass therapist (Heather Headley). Gentrification is rampant, money is tight, but Nola is living — and how she lives, who she makes love with, and the art that she creates is going to be on her terms.

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