In Netflix's 'Descendant,' The Past Bubbles Up To The Surface [MVAAFF Review]

There were many horrors born out of the enslavement of Black bodies. Terror, sexual abuse, mental anguish, despair, and the separation of families are only the tip of the iceberg. Erasure— of history and personhood — are still things that echo through the Black community. However, as filmmaker Margaret Brown’s striking documentary Descendant suggests, our histories and the truth can never stay buried for long. 

Descendant begins the search for a slave ship that should have never existed. Just one year before the American Civil War began and 52 years after the International slave trade was outlawed in the United States, a ship named Clotilda arrived on the shores of Alabama. A white plantation owner named Timothy Meaher charted the illegal expedition in a bet that he could evade the law. Clotilda carried 110 African men, women, and children to the Alabama shores before Meaher set the vessel ablaze —determined to erase what he’d done. 

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Barack And Michelle Obama Surprise Martha's Vineyard African American Film Festival To Introduce Higher Ground's Netflix Doc 'Descendant'

The 20th annual Martha’s Vineyard African American Film Festival (MVAAFF), founded by Stephanie and Floyd Rance, opened Friday evening with a robust crowd at a screening of Descendant, a searing documentary helmed by filmmaker Margaret Brown. The film follows the residents of Africatown, Alabama, the descendants of the Clotilda, the last known slave ship to hit American shores long after the transatlantic slave trade had been outlawed. The Netflix film is produced by Barack and Michelle Obama’s Higher Ground Productions, and the former POTUS and First Lady surprised the crowd when they stepped out to introduce the film.

“When we screened this, we immediately thought, this is why we’re doing Higher Ground,” Mrs. Obama said. “As Black people, we don’t talk about things, and there is a lot of psychology around that. But, what this film reminds us of is the power that our stories have, and we have to tell that truth.” 

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In ‘Descendant,’ The Clotilda Slave Ship Wreckage Is Only The Beginning

In 1860 on the eve of the American Civil War and 52 years after the international slave trade was outlawed in the U.S., 110 African men, women, and children arrived on the shores of Alabama in a ship called Clotilda. The captives were sold to various plantations, and the vessel was set ablaze by Timothy Meaher, the man who had chartered the illegal expedition. 

One hundred sixty-two years later, filmmaker Margaret Brown has turned her lens toward the descendants of Clotilda’s survivors in her captivating documentary film Descendant. The story of the Clotilda has always been alive and well amongst the descendants of the ship’s survivors. Many of them still call Africatown, Alabama – founded in 1866 by the formally enslaved – home. When the ship’s wreckage was found in 2019, the world began to pay attention. But as Brown’s film suggests, many more questions still arise. 

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