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How OWN's 'Cherish The Day' Allows For Black Male Emotional Growth Without Harming Its Black Women

In a 1984 conversation between James Baldwin and Audre Lorde about the power dynamics between Black men and Black women, Lorde pushed Baldwin to examine the inherent privilege of being a man in a patriarchal society that privileges men over women, intersecting with white supremacy, which harms all Black people. Lorde said in part, “I do not blame Black men for what they are. I'm asking them to move beyond…we have to take a new look at…[how]…we fight our joint oppression…We have to begin to redefine the terms of what woman is, what man is, how we relate to each other."

Now, nearly 40 years later, the patriarchy still reigns, and sexism and misogynoir are as rampant as ever. However, in cinema and television, with more Black women at the helm of Black love stories, we are beginning to see a new soft Black intimacy take center stage and stories that do what Lorde has demanded: redefining gender roles and relationships within the Black community. These stories do not put Black women in a position to struggle or fight for a man's attention or place Black women in the line of fire on the road to Black men's emotional growth and maturity. Instead, they look at Black people in all of their complexity and splendor while requiring self-awareness and accountability, especially for Black men.

Continue reading at Shadow and Act.

tags: Cherish The Day, OWN, Ava Duvernay, Alano Miller
categories: Film/TV
Thursday 02.27.20
Posted by Aramide Tinubu
 

'A Wrinkle in Time' isn't a film for critics. It's Ava DuVernay's love letter to black girls

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t was never going to be an easy task for acclaimed filmmaker Ava DuVernay to bring “A Wrinkle in Time” to the big screen; with 26 rejections, author Madeleine L’Engle had a tumultuous journey to get her story published at all. The acclaimed children’s book tells the story of teenager Meg Murry (portrayed now by Storm Reid) as she grapples with the pitfalls of adolescence while coming to terms with the disappearance of her physicist father, Dr. Alex Murry (portrayed by Chris Pine). Though L’Engle‘s story seems straightforward on the surface, Meg’s journey to find her father is full of intrigue, theoretical physics, science fiction and an earnest nod toward love and light. All of these components made it difficult for publishers in the late 1950s and early 1960s to take a chance on “A Wrinkle in Time,” and extremely complicated for anyone to adapt the story to the screen. The first film adaptation hit the small screen in 2003, and L’Engle reportedly hated it.

According to The New York Post, bewildered editors often asked L’Engle if her book was intended for adults or for children to which she would reply, “It’s for people, don’t people read books?” Considering some of the reviews of DuVerney's film, it looks like the motion picture has run into the same critiques as the novel. An uneven tone and choppy script has muddled down the magic of the film for many critics; Forbes, for example, has called it, “a well-intentioned disappointment.”

Continue reading at NBC Think.

tags: A Wrinkle in Time, Ava Duvernay, blackgirlmagic, NBC Think, Op-Ed, Storm Reid
categories: Film/TV
Saturday 03.10.18
Posted by Aramide Tinubu
 

Ava DuVernay's 'A Wrinkle In Time' Is A Whimsical Ride, Made For A Special Audience (Review)

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Adolescence can be a troubling and challenging time and Ava DuVernay’s film adaptation of Madeleine L'Engle’s novel A Wrinkle In Time was made not just with kids in mind, but with 8-12-year-olds as the film’s intended audience. It is DuVernay’s love letter to children and the wonder and magic of childhood. The film follows Storm Reid’s Meg Murry; a troubled young lady reeling from her father’s four-year-long disappearance. Angry and bullied, Meg only finds solace in her younger brother, the hilarious and precocious Charles Wallace – portrayed wonderfully by newcomer Deric McCabe. On the verge of retreating into herself entirely, Charles Wallace introduces Meg to Mrs. Whatsit (Reese Witherspoon), Mrs. Who (Mindy Kaling) and Mrs. Which (Oprah Winfrey). These three warriors of light help guide Meg on her journey to the center of the universe not only to find her father but to discover just what she's capable of.

Gorgeously shot, A Wrinkle In Time places a young black girl at the center, something rarely seen in mainstream films, highlighting why this type of representation continues to be so necessary. Reid is phenomenal as Meg, holding her own in a cast full of acclaimed veteran actors. Through Meg, DuVernay perfectly captures the various nuances of adolescence and all of the emotions that are wrapped within it.  Though the film is a feast for the eyes, except for the odd choice of sometimes displaying Winfrey’s Ms. Which as a mega-sized monstrosity, A Wrinkle In Time, in certain parts, seems at war with itself. A jarring script and an uneven tone muddle down Wrinkle's message at certain points. DuVernay is careful to pay homage to the uncertainty of our teens years, with all of the self-depreciation and uncertainties that come with it. However, A Wrinkle In Time’s Disneyfied stamp, which includes a burgeoning adolescent romance between our protagonist and her classmate Calvin (Levi Miller), felt forced and out of place. In fact, when comparing the first and second act, Wrinkle felt like two entirely different films mashed into one.

Continue reading at Shadow and Act.

tags: A Wrinkle in Time, Ava Duvernay, chocolategirlreviews, Storm Reid
categories: Film/TV
Thursday 03.08.18
Posted by Aramide Tinubu
 

A Shadow and Act Sit-Down With Oprah Winfrey & the Cast of 'Queen Sugar'

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Though we seem to be in what has been termed a new renaissance in Black film and television, some narratives stand above the others. One such series is Ava DuVernay’s “Queen Sugar.” Based on the 2014 novel by Natalie Baszile, “Queen Sugar” follows the previously estranged Bordelon siblings still reeling from their father’s death. Stubborn but ambitious Charley (Dawn-Lyen Gardner), Black Lives Matter activist and journalist Nova (Rutina Wesley), and single father and recent parolee Ralph Angel (Kofi Siriboe), must now contend with the immense responsibility of the sugar cane farm that they have inherited. Last season, the Oprah Winfrey-produced series, introduced us to these beloved characters and their home in Saint Josephine, Louisiana. We watched them try to deal with the pressures of their lives while learning to lean on one another. Ahead of the season two premiere, I flew to Los Angeles to chat with the cast and Ms. Winfrey about what’s to come when the Bordelons open their lives to us once again.

There has been nothing on television like “Queen Sugar” in recent years, which is why the audience response has been so astounding. Gardner explained the hunger for a series depicting the richness of Black life. She said, "I’ll never forget being in college at Julliard and one of my friends who was white; we were watching 'The Cosby Show' and I was like, 'God, isn’t 'The Cosby Show' so amazing?' He’s like 'Yeah it is, but I always just felt like aren’t they just tryna be white?' I remember just hearing that and being like, 'What did you just say?!' It was a realization that you don't know what happens in Black families, you don’t know what Black culture includes. And why would you know? Nothing is showing you. So it became this deep feeling of wanting there to be something that shares those truths and shares what is happening."

"Queen Sugar" has done an exemplary job when it comes to showcasing the many facets of Black life. For Ms. Winfrey, there is a lot to be proud of. She stated, “Everything makes me proud about it. First of all to be able to do it, to have a show that reflects so deeply who we are as a race and as a culture. To represent what I call the Southern values from which nearly all of us have come. Even if you are were born in the North or raised in the West, you have some kind of root there. From the moment Ava said, 'I think I found Vi’s house.' The fact that this cast came together the way that it did, it feels like it is of divine design for me. As Ava has said many times, she doesn’t cast just for character; she casts for spirit. So there is a spiritual vibe that is showing up on the screen. I could cry right now just thinking about it, I really could. the second season we go further and deeper; the connection to family and what you see happening with all of them, it’s a beautiful thing to see, it’s just a beautiful thing to accomplish, and I feel grateful for everything. It’s the little things. We are individual and unique and expressive. What the show represents is that we are also whole. We may be flawed, but there is also a depth of wholeness there that keeps us connected and together. It’s everything!"

Still, those intricacies that Ms. Winfrey is so moved by aren’t by accident. Since her breakout film, "Middle of Nowhere," Ava DuVernay has enraptured us with her stories about Black life, and all of the small nuances that composite who we are as human beings. I asked the cast what DuVernay brings to "Queen Sugar" that makes it so unique, and they were all thrilled to sing her praises. Gardner discussed DuVernay's ability to hone into the truth. She explained, “I think that one of Ava’s genius abilities is her absolute ownership of her authenticities. It is really the primary quality that she walks in the world with, and I feel like 'Queen Sugar' is an expression of that. It’s an expression of that primary vein of a culture, or what happens in a backyard, or what happens around a dinner table in a living room. That carries an intention behind that. I know people who have come to me and said that they feel healed by the show. I think that is Ava. That is an intention that she has for every single project that she spearheads. It’s not just for entertainment or fun. It’s absolutely socially driven. It’s absolutely tapping into what the need is and trying to meet it."

Siriboe, the 23-year old breakout star who embodies Ralph Angel explained DuVernay’s storytelling as a kind of call and response. He stated, “I just think Ava is 'Queen Sugar' personified. I feel like just her leadership and her deliberateness, she knows exactly what she wants to say and how she wants to say it. She’s not afraid to be like Nova where she explores, and she receives, and I think that’s what “Queen Sugar” does. It’s a give and take. We talk to the audience, they talk to us back. I meet so many people on the streets who tell me how the show affects them and that’s what I take and think about when I’m working on set. I feel like that’s Ava. She’s talking to the world, and they are talking back, and she’s doing that with 'Queen Sugar.'"

Wesley who portrays the fearless but often conflicted Nova suggested, “Ava knows how to get people talking. And listening too, because she will give you a slightly different perspective or a slightly different reality than something that you thought you knew. Then, you see it a different way, and that's our hope, to spark a dialogue and to speak truth to power, and I feel like Ava really does it in a way that one wants to listen and engage and not feel put upon. Sometimes you can watch a show or even the news and just feel beat over the head. I feel like with 'Queen Sugar' you just go, 'Here you go.' It’s warm, and it’s heartfelt, but it’s also messy and raw. It's in a way that you can really engage and listen, and I think that’s important and that starts with how she is as a person. She’s detailed, and she cares, and she comes from her heart with everything that she does, and that’s why you see heart on the screen. That’s because that’s her. She’s so open and warm, and that’s contagious.”

Continue reading at Shadow and Act.

tags: Ava Duvernay, Dawn-Lyen Gardner), Kofi Siriboe, OWN, Queen Sugar, Rutina Wesley
categories: Film/TV
Monday 06.19.17
Posted by Aramide Tinubu
 

I Will Follow: Film Review

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I rented this film early last semester and being the bum that I am (I have yet to see Pariah or The Middle of Nowhere) I have neglected to put it out there. (Shame on me, the self proclaimed Black film geek). Anyway  director Ava DuVernay tells a really beautiful story with this film. It moves pretty slowly, however if you give it the time and opportunity that it deserves then you'll be very pleased with the feeling you take out of it.  Now lets get into the specs:

The film follows, Amanda (Salli Richardson-Whitfield) who has put here career and her relationship on hold in order to move across the country to take care of her dying aunt. As she cleans out the now deceased woman's home, the viewer is invited into Amanda's flashbacks getting to know more about her and her Aunt Mya's relationship. Its very strange to watch grief being acted out onscreen especially when its something that you've personally gone through.  This especially resonated with me as I watched Amanda and her cousin Fran (Mya's daughter) battle it out for Mya's possessions. They'd never really gotten alone, but I know from first hand experience that death always brings out the worst in people.  Since the film only follows the main character through one day, I think that what is most important is what isn't said. I Will Follow is definitely worth the watch if for nothing else then to see Omari Hardwick (yum:))

tags: Ava Duvernay, black female director, black film, chocolategirlreviews, I Will Follow
categories: Film/TV
Tuesday 02.07.12
Posted by Aramide Tinubu
 

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